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Author: John Chacona

Excuse me, but you’re on mute

When I was a radio host, I learned about the mute button. It was what you hit to silence your microphone if you needed to cough or clear your throat or utter a word prohibited by the FCC. Those air shifts, at an NPR affiliate and at two college stations, one as a student and the other as the host of an ethnic show, happened years before I moved to northeast Ohio.

So while I have some opinions about the WCSB/Ideastream announcement, that are informed by experience, they are not as strong as some of you might have. Full disclosure: I don’t listen to terrestrial radio, nor to streaming services. The 600-odd new releases that have hit my inbox this year alone and the listening I do to prepare the articles on this site give my ears more than enough to do. Sorry, not sorry.

Still, my project here at let’s call this is to provide a documentary record of creative and improvised music in the Black American tradition in northeast Ohio, the people who make it and the places where it can be heard. If journalism is the first rough draft of history as the saying goes, I am a historian of the now.

And right now, the story is one of anger and betrayal, which seems to be the default affect of our degraded times.

Look, there are real losses here, certainly to the hosts of WCSB programs and their loyal listeners. The reputations of CSU and Ideastream are bound take a hit, too (as I type this there is a silent protest on the CSU campus). As a PR operative who has put in time at both a public broadcasting station and a university, I can tell you that nobody wanted this.

Which makes me wonder why it went down this way. Did anyone involved give a moment of thought to the consequences of their decisions?

As for the music, you can be pretty certain that nobody on either side of this transaction gave it a moment of thought either. Notwithstanding the understandable outrage of some WCSB listeners at what looks like a bag job on behalf of jazz fans, the truth is that jazz and ethnic music–or post-punk music or ambient music or any of the wonderful stuff that once found a home on WCSB–are not in opposition. Music is not a zero-sum game.

Those institutions must have had reasons for making the decisions they made. It would be nice to know what they were, but for now the mute button is firmly held down.

Big orgs are gonna big org. It’s what they do. As for us music lovers, we need to do what we do: go out and hear music the way it was meant to be heard, live, in-person, loud, proud and unmuted.

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Garrett Folger and Aidan Plank Share DUO Lingo On A New CD

Garrett Folger and Aidan Plank

Today, the 99th anniversary of John Coltrane’s arrival on Earth, seems like a good time to remind ourselves that music, for all the wondrous sophistication of its scales and structures, is about the people who make it.

That point was reinforced eloquently by DUO, the new independent release by trumpeter Garrett Folger and bassist Aidan Plank, which will be celebrated by a release show Sunday at Negative Space Gallery.

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Joe Lovano Returns Home With An Homage On His Mind

If you were a northeast Ohio native who would be returning for a visit in September, the most glorious month here, your itinerary would probably include family gatherings, clambakes, forest bathing in the Metroparks ,and if you have a strong stomach, maybe a Browns game. Even a local legend like Joe Lovano might have those on his vaca to-do list. But this September to remember, he’s making memories in a different–and more consequential–way.

The eminent saxophonist and composer is establishing an endowed fund to support merit-based scholarships for students in the J@MS (Jazz at The Music Settlement) program, and kicking off the effort with a concert, celebration and hang at BOP STOP called Joe Lovano: Family & Friends

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Cleveland: This Is The Week Of Jazz You’ve Been Waiting For

No burying the lede here: the next eight days might offer the most extraordinary lineup of jazz concerts Cleveland has seen in years.

Starting with the pianists, you can hear Cuban piano great Omar Sosa (Sept. 10), Michael Wolff, Dan Wall (both Sept. 13), Theron Brown and Matt Mitchell (both Sept. 14) this week. Prefer saxophonists? Then how about James Brandon Lewis (Sept. 12), Anna Webber (Sept. 13) and Branford Marsalis (Sept. 16). Add the unpredictable chemistry of The Uninvited (Sept. 11) and, well, you’ve got some choices to make.

Any one of these events would merit the full 700-word feature treatment at let’s call this, but don’t worry. I’m going to keep this short and snackable, though I might publish more nutritious fuller versions later, here or elsewhere, and I’ll let you know about those if and when they happen.

For now, though, let’s shine a light on three mindblowingly exciting shows that will make your muso friends in New York wish they lived in Cleveland.

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No Exaggerating! A September To Remember Starts This Week

Anyone who has ventured outside in the last couple of days can confirm it: September is the most glorious month in northeast Ohio. This week, dedicated indoors enthusiasts will join the amen chorus, because great jazz is everywhere you will look and listen.

There’s so much happening that I could write three or four full posts this week, but that wouldn’t leave enough time for the music. So rather than the full, big band version, I’ll give you the scaled-down trio arrangement–three can’t miss events that will have you circling the date and smashing the BUY NOW button on the ticketing page. And wait until you see next week.

Countdown . . .

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