Review: Petros Klampanis’ ‘Tora Collective’ All About Jazz, 15 May, 2023
Comments closedAuthor: John Chacona
In the popular imagination, an evening of torch songs inevitably takes place in a smoky basement club where a singer in a velvet gown purrs songbook standards while perched on a stool as her cigarette smolders in a nearby ashtray. A half-filled rocks glass is not far away.
It’s an appealingly nostalgic image, but don’t expect anything like that Friday at Cleveland Uncommon Sound Project‘s (CUSP) Torch Songs program.
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If there were a Mount Rushmore of Cleveland jazz, maybe on the bluff overlooking the West Flats, who would be on it? Albert Ayler and Tadd Dameron for sure, and maybe Eddie Baccus, too. Joe Lovano is still very much with us, but it’s not too soon to reserve a place for him up there, too.
Lovano’s career accomplishments, including his tenure with Bill Frisell in Paul Motian’s enormously influential trio, loom so large that it’s easy to forget that the saxophonist’s first big gig was with the Woody Herman Orchestra.
Trombonist Scott Garlock, the executive director of the Cleveland Jazz Orchestra with whom Lovano will play two concerts this weekend, remembers.
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