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It’s practically a cliche in jazz circles: no one wants to listen to a bass solo. Stephan Crump has heard it all before. Yet when he kicks off his set at Bop Stop next Thursday, Oct. 13 at a concert presented by New Ghosts, it will be alone on the Hingetown club’s stage with only his double bass joining him. Don’t expect to hear a lot of sotto voce chattering. The more common response to Crump’s playing is stunned silence.
For years, Amina Figarova was such a constant presence on the Cleveland scene that you might have assumed that she lived here. So it came as a surprise when the pianist told me that her engagement Oct. 12 at Bop Stop will be her first at the Hingetown club.
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On Tuesday, Oct. 4, a quartet that has been one of the world’s most restlessly creative and genre-defying ensembles since its founding in San Francisco in the 1970s will return to Cleveland for the first time in nearly 35 years.
No, it’s not the Kronos Quartet, which played here in 2006 and 2013. Tuesday’s New Ghosts concert at Bop Stop will present the ROVA Saxophone Quartet, a musical aggregation that has been as influential, catalytic and inventive as its more celebrated Bay-area string-playing contemporaries.
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You can’t blame bassist Noah Garabedian for hoping that the engagement Friday at Blu Jazz+ with his cooperative trio Ember will be a little less memorable than his last northeast Ohio visit. “Nobody was there,” Garabedian remembered.
It was Nov. 9, 2016, the day after the election.
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Right now, the northeast Ohio creative music scene is like the parent of a toddler walking barefoot in the dark trying to cross the room not knowing where the Legos might be. What will the size of audiences be like? What will they be willing to spend when inflation is eating away at buying power? How will ongoing health concerns play out?
For a multiday event at several venues, the peril increases. Still, if you’re looking for a music event that has bounce-back written all over it, Akron’s Rubber City Jazz and Blues Festival has to be the one.
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