Album Review Steve Cardenas, Ben Allison and Ted Nash: Healing Power – The Music of Carla Bley PostGenre, 12 July, 2022
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I get a lot of music for my consideration, already 350 (!) new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on the preceding week’s releases. Like these.
Portland is known for rain, artisanal coffee and thanks to Fred Armisen and Carrie Brownstein, as the apotheosis of farm-to-table Millennial pretentiousness.
I get a lot of music for my consideration, already more than 160 new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.
Anniversaries and theme celebrations generally make writers groan, but editors love them. At let’s call this, I wear both hats, and this week I’ll give my editor side the benefit of the doubt. Thus today’s Women’s History Month roundup of notable new releases by women. There’s more than a common editorial conceit behind the post; these four recordings are outstanding by any measure and make a strong case for the increasing and long overdue prominence of women who play, write for and lead bands at the forefront of improvised music in the Black American tradition.
Looking at the cover photo for JUMP (Greenleaf Music), you might be forgiven for mistaking tenor saxophonist Julieta Eugenio for a teenager, but she is no kid.
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