When this writer worked in the hospitality industry, we had a name for Halloween: Amateur Night. Normally this would serve as a warning to pursue domestic entertainments until it’s safe to go out again. But what if “going out” is more treat than trick? This week’s candy necklace of events will test that notion with a variety of fun-size gigs and not a kernel of candy corn among them (though the late Carla Bley’s “King Korn” would be great addition to a spooky setlist).
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As the weather turns chillier and recreation shifts to indoor locations, the NEO scene is responding with a clambake of compelling offerings this week. Touring artists and local luminaries are throwing down. That’s a challenge for those who like to map out their musical itinerary, but what a nice problem to have, right? Supporting live music is always the right choice, but for a little advice, scroll down. You’re sure to find something interesting.
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In the midst of a recording session with his New York big band, Columbus-born, Brooklyn-based trombonist, composer and arranger Sam Blakeslee noticed an interesting dynamic among the players.
“On the first take everyone in the band was like, ‘Who are these people? Why are they playing like this, because it just sounds so different? Why haven’t I heard stuff like this before?’” Blakeslee’s answer: “Because it’s Cleveland.”
“These people,” saxophonists Chris Coles and Nathan-Paul Davis, and the cream of Northeast Ohio’s jazz community, will join Blakeslee on the stage of BLU Jazz+ this weekend for a homecoming so packed with music that it will take two nights to play it all.
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It’s a week for celebrations with a birthday, an anniversary and a chicken or pasta dinner on the musical menu for your mid-October listening and dining pleasure. Add a penetrating talk by one of musicology’s preeminent thinkers and public intellectuals and watch your calendar fill up. It all starts here.
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The improvising violist Mat Maneri recalled a conversation with his ECM Records producer, Steve Lake about the nature of music. “
“He thought it was all religious and I said, ‘No, it can’t be that.’ But there is something sacred about that stage and your relationship with the audience that once you’re onstage,” Maneri told me by phone last week.
There’s something sacred about the music that Maneri and his quartet will offer at BOP STOP Wednesday in a concert presented by Cleveland’s essential New Ghosts organization. Drawn from the violist’s latest recording Ash (Sunnyside Records, 2023), the music is a memory project that casts an oneiric spell that is simultaneously elusive and completely absorbing.
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