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Category: Concert Previews

Looking Backward and Forward At Once, Saxophonist Jim Snidero Returns to Bop Stop

Published 14 February, 2023
Jim Snidero
photo by John Rogers

Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.

Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.

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Cabaret Crooner or Jazz Singer? Dane Vannatter Is A Man of Two Worlds

Published 8 February, 2023
from left: Joe Hunter, Bryan Thomas, Dane Vannatter and Ricky Exton

The legendary Patti LaBelle has been on stages large and small since Dwight Eisenhower was in the White House. As a performer, she’s done it all and seen it all, but she couldn’t have expected what happened at her 2015 performance at the Ohio State Fair in 2015.

“She called a group of guys [on stage] as a thing in her show,” Dane Vannatter wrote me in an exchange yesterday. “She asks them to sing, they can’t, and the audience laughs when she says, ‘Well then dance!’”

Vannatter was one of those guys, but when he opened his mouth to sing, the great soul diva fell silent. She couldn’t have known that Vannatter had been on a few stages himself, and when she gathered herself to address her unexpected guest, all she could say was, “You better sing, fool! My God!”

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For 49 Years, Kahil El’Zabar’s Ethnic Heritage Ensemble Has Played–And Embodied–Black History

Published 30 January, 2023
Ethnic Heritage Ensemble
Ethnic Heritage Ensemble: Corey Wilkes, Dr. Kahil El’Zabar, Alex Harding

One of the great consolations of hanging around the music business stage door for a long time comes when people who assume that you know things ask you questions. One of my favorites is: Which band have you seen the most times? I love this question because it gives me a chance to talk about Kahil El’Zabar’s magnificent Ethnic Heritage Ensemble, which is also my favorite band.

Now, for the first time since I moved to Cleveland in 2019, I get to talk about an upcoming concert of theirs that I will attend. It’s Wednesday, Feb. 1 at Convivium 33 Gallery, presented by the Cleveland Uncommon Sound Project and needless to say, if you’re reading this, you should go, too (full disclosure: I played a small part in making this concert happen). An Ethnics concert is never less than completely enjoyable and on any given night, it can be a transformative experience.

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New Composers Collective Lays Down the Law at Bop Stop

Published 25 January, 2023

Third Law CollectiveWhat’s the second-most exciting day in a composer’s life? The day of the first performance of a new piece, of course. So, what’s the most exciting day? The day of the second performance. World premieres are exciting, but many compositions are heard once and then disappear. A second performance confers a bit of staying power.

This is especially true in the concert music world, but composers of creative music in the Black American tradition face many of the same challenges in bringing their work to the stage. Enter The Third Law Collective, a gathering of local composer/players whose project to present and support new composition in northeast Ohio gets underway Jan. 26 at Bop Stop.

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Tommy Lehman’s Perpetual Search Leads To BLU Jazz+ For An Evening Of ‘Uplift.’

Published 15 December, 2022

When he was a student at the Hartt School of Music, trumpeter Tommy Lehman occasionally joined the legendary late-night jam sessions at Small’s jazz club in Manhattan. One night immersed in a solo with his eyes closed he opened his eyes for a moment and found himself face-to-face with the late trumpet player Roy Hargrove, who was sitting in the second row.

Remembering the solo, Lehman said with a laugh, “It sounded terrible,” adding, “I’ll always try my best though. Even if I’m sounding sad, I’m gonna give it everything I have.”

Back in his native northeast Ohio, Lehman is giving it everything he has these days, seemingly playing with everyone everywhere. His latest venture is a new recording, Uplift, which be available on Dec. 21 on Lehman’s Bandcamp page and which he’ll celebrate with a release show at BLU Jazz+ in Akron.

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