
Todd Marcus is the sort of guy who likes to walk an unconventional path. That path will bring him to BOP STOP on Wednesday with a unique quintet that features clarinetist Virginia MacDonald and Marcus’ bass clarinet on the frontline.
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Pianist Javier Red was in his mid-40s and had been a working musician for years, both in his native Mexico and in the United States, when he arrived at a musical crossroads.
It happened at a workshop in 2015 with saxophonist and composer Steve Coleman at the University of Chicago. “I told Steve that I’ve got two options. I can deny everything that I saw there and keep my music flowing in a comfortable way, or I can accept that what Steve was saying is a completely new and different conception of music,” he remembered. “I said, ‘Man, what I’m losing? Nothing!’ And I decided to go that way.”
He’s still going that way on a musical and life journey that will bring Red and his Chicago quartet Imagery Converter to BOP STOP Thursday for a New Ghosts concert that will have meaning well beyond music.
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“When I went to undergrad, I kind of did jazz in secret, like on the side,” said Ellie Martin. “I remember a teacher telling me once that jazz was going to ruin your voice. You’re not really supposed to do that. A lot of singers did though. You did it on the side and you didn’t say anything.”
Martin’s jazz hobby is no secret anymore. And with a new album, Verdant (self released, 2023), and a Midwest tour that concludes Saturday with an engagement at Akron’s BLU Jazz+, singing jazz has become more than a side hustle for the Toledo-based vocalist.
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Despite the increasing numbers of creative improvising musicians who play it, the double bass in a solo context—on record or in performance–remains a comparatively uncommon sound.
Yet Brandon Lopez, with a new recording and a showcase at this weekend’s Re:Sound festival presented by the Cleveland Uncommon Sound Project, is the exception that proves the rule.
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