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Today, the 99th anniversary of John Coltrane’s arrival on Earth, seems like a good time to remind ourselves that music, for all the wondrous sophistication of its scales and structures, is about the people who make it.
That point was reinforced eloquently by DUO, the new independent release by trumpeter Garrett Folger and bassist Aidan Plank, which will be celebrated by a release show Sunday at Negative Space Gallery.
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If you were a northeast Ohio native who would be returning for a visit in September, the most glorious month here, your itinerary would probably include family gatherings, clambakes, forest bathing in the Metroparks ,and if you have a strong stomach, maybe a Browns game. Even a local legend like Joe Lovano might have those on his vaca to-do list. But this September to remember, he’s making memories in a different–and more consequential–way.
The eminent saxophonist and composer is establishing an endowed fund to support merit-based scholarships for students in the J@MS (Jazz at The Music Settlement) program, and kicking off the effort with a concert, celebration and hang at BOP STOP called Joe Lovano: Family & Friends
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What’s the second-most exciting day in a composer’s life? The day of the first performance of a new piece, of course. So, what’s the most exciting day? The day of the second performance. World premieres are exciting, but many compositions are heard once and then disappear. A second performance confers a bit of staying power.
This is especially true in the concert music world, but composers of creative music in the Black American tradition face many of the same challenges in bringing their work to the stage. Enter The Third Law Collective, a gathering of local composer/players whose project to present and support new composition in northeast Ohio gets underway Jan. 26 at Bop Stop.
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Tribute concerts, for better or worse, are an established marketing hook for jazz presenters and an evergreen source of inspiration for musicians. The honors tend to cluster around past masters, and the bigger the name the batter. Living musicians who can actually appreciate the tribute aren’t often feted and even less often asked to play, but a tribute concert where the honoree is a sideman? Never happens.
Yet when bassist Aidan Plank’s octet takes the Bop Stop stage Thursday to present a program of music by Carmen Castaldi, the man of the hour will be seated where he can usually be found: behind the trap set.
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