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Friendly experiencers,
It’s Thursday and the Countdown is back on its normal schedule. Order has been restored. The concert lineup was thinned a bit by the cancellation of the Christian Sands gig at The Treelawn, but just look at the variety of offerings below: a big band session with vocalist, hard-blowing sextet and a free improv legend. Who says the NEO scene is one-dimensional?
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One of the great pleasures of this project is the opportunity to do a weekly temperature check of the NEO scene., with a focus on live performance where it surely belongs. No performances, no scene, right?
But NEO artists have lately been as active in the studios as they are on the area’s stages and bandstands. That’s a good thing, too. Some projects have been covered here, including Work and Song, the exultant live recording by Alla Boara made at BOP STOP last July, Lucas Kadish’s Tundra, which was a big part of this entry from 2023, and the forthcoming recording laid down two weeks ago by the Third Law Collective wsg Russ Johnson, a project I profiled here. A few more will get the in-depth treatment in future posts here and at All About Jazz.
Still it’s been a while since let’s call this has called the roll on recordings, and given the spring shower of recent releases, now’s the time.
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The last year or so has seen an explosion of recordings by Cleveland improvising artists such as Kent Engelhardt and Stephen Enos, Kevin Martinez’s Reclamation Band, Alla Boara, Bobby Selvaggio, TRIAD, a new project by Dominick Farinacci (more about that one soon) and a forthcoming Cleveland Jazz Orchestra anniversary release.
Into this hive of activity by established artists comes an ambitious live recording date Saturday night by a band that is scarcely more than a year old. Youthful overreach? Not when the band is the Third Law, the composers collective that is a veritable all-ages writers room for some of the most interesting large ensemble jazz being made around here.
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One of the highlights of a performance by Alla Boara, percussionist Anthony Taddeo’s jazz-meets-Italian-folk-music project, is “Mamma Mia Dammi Cento Lire.” It’s a musical setting of conversation between a young woman, wheedling 100 lire from her mother so that she can go to America to start a new life, and her mother who warns that if she leaves her village the feckless girl will drown when her ship sinks. All this is set to an earworm of a dancing melody. The words, brought to vivid life by Amanda Powell, a superb singing actress, have the sly worldliness and teasing insinuation of opera buffa.
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