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Dan Weiss is a no-compromises guy. He doesn’t jog occasionally for his health; he trains hard and races. He turned an interest in South Asian music into a decades-long immersion with tabla master Samir Chatterjee. When I suggested to the drummer last week that he struck me as slightly obsessive, his response was unequivocal: “Yeah, yeah, yeah, totally. Totally!”
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“My music is kind of intricate,” Marta Sanchez admitted. Then she quickly added, “It’s not that I’m not attracted towards intellectual music, but I’m attracted to beauty–in music and in art–but both at the same time.”
Listen to Sanchez’s bracing, elegant pianism as you can do Saturday at BOP STOP, and you’ll learn that intellectual rigor wrapped in beauty are magnetically attracted to her, too.
Comments closedI get a lot of music for my consideration, already more than 220 new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.
The
title cut from Yuval Amihai‘s My 90s Summer (Fresh Sound Records) begins with the leader’s warm-toned guitar over dewdrop Rhodes and a head-nodding backbeat rhythm. Where have I heard this before?