The best improvised music in the Black American Tradition offers something for the head, heart and feet. A pair of concerts this weekend at BOP STOP offer a potent distillation of how much music can move us.
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Mid-October on the shores of the Great Lakes often means the beginning of sweater weather, but not at BOP STOP this week, where the temperature turns tropical thanks to a pair of concerts by artists steeped in the traditions of Brazil and Puerto Rico.
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Back when I wrote for a daily newspaper (kids, ask your parents what those were), the page-turn from August to September always called for a big roundup of the coming seasons of the performing arts organizations I covered. In those days that meant classical music presenters. Dependent on a subscription model, they typically planned a season well in advance and publicized it relentlessly. That model doesn’t work for the way we live anymore and for jazz, my beat, never worked at all. Still, a few jazz orgs plan a full season. You’ll find three of them below, each in their different way giving us a wish to dream on. Open your calendar app and let’s go.
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Why are these men smiling?
At the poker table a pair of eights is nothing to get excited about, but on the jazz calendar it’s a winning hand. And NEO is holding it this week thanks to a pair of concerts–both tied to upcoming recordings–featuring dynamic octets led by Stephen Philip Harvey and Bobby Selvaggio.
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Stephen Philip Harvey is a saxophonist, educator, composer, arranger, clinician, label executive, husband and son. Though he just turned 32 last Friday, you have to wonder where he gets the energy.
“I think it’s unfortunately a symptom of high functioning anxiety,” he said with a laugh that belied the sentiment. “Realistically, and emotionally,” he added, “I just really, really love music.”
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