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Today, the 99th anniversary of John Coltrane’s arrival on Earth, seems like a good time to remind ourselves that music, for all the wondrous sophistication of its scales and structures, is about the people who make it.
That point was reinforced eloquently by DUO, the new independent release by trumpeter Garrett Folger and bassist Aidan Plank, which will be celebrated by a release show Sunday at Negative Space Gallery.
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If you were a northeast Ohio native who would be returning for a visit in September, the most glorious month here, your itinerary would probably include family gatherings, clambakes, forest bathing in the Metroparks ,and if you have a strong stomach, maybe a Browns game. Even a local legend like Joe Lovano might have those on his vaca to-do list. But this September to remember, he’s making memories in a different–and more consequential–way.
The eminent saxophonist and composer is establishing an endowed fund to support merit-based scholarships for students in the J@MS (Jazz at The Music Settlement) program, and kicking off the effort with a concert, celebration and hang at BOP STOP called Joe Lovano: Family & Friends
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No burying the lede here: the next eight days might offer the most extraordinary lineup of jazz concerts Cleveland has seen in years.
Starting with the pianists, you can hear Cuban piano great Omar Sosa (Sept. 10), Michael Wolff, Dan Wall (both Sept. 13), Theron Brown and Matt Mitchell (both Sept. 14) this week. Prefer saxophonists? Then how about James Brandon Lewis (Sept. 12), Anna Webber (Sept. 13) and Branford Marsalis (Sept. 16). Add the unpredictable chemistry of The Uninvited (Sept. 11) and, well, you’ve got some choices to make.
Any one of these events would merit the full 700-word feature treatment at let’s call this, but don’t worry. I’m going to keep this short and snackable, though I might publish more nutritious fuller versions later, here or elsewhere, and I’ll let you know about those if and when they happen.
For now, though, let’s shine a light on three mindblowingly exciting shows that will make your muso friends in New York wish they lived in Cleveland.
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Back when I wrote for a daily newspaper (kids, ask your parents what those were), the page-turn from August to September always called for a big roundup of the coming seasons of the performing arts organizations I covered. In those days that meant classical music presenters. Dependent on a subscription model, they typically planned a season well in advance and publicized it relentlessly. That model doesn’t work for the way we live anymore and for jazz, my beat, never worked at all. Still, a few jazz orgs plan a full season. You’ll find three of them below, each in their different way giving us a wish to dream on. Open your calendar app and let’s go.
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If jazz is dead, as so many fans like to think, somebody forgot to tell the singers, so many of who have lately emerged on the scene. For years, their playbook was simple: record an album of songbook standards with a trio, preferably with some name players, and wait for the phone to ring.
Not Emma Hedrick who will make her BOP STOP debut Thursday. All 10 songs on Newcomer, her debut recording released last Friday, are original compositions. Aside from producer Peter Eldridge who appears on two selections, the biggest name among the 16 musicians credited might belong to Connor Rohrer, 25, whom cognoscenti might recognize as Samara Joy’s pianist at Cain Park last August.
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