
Folger’s gig book must be quite a sight. Yet even by his own standards of ubiquity, this week needs a big red circle around it for the two gigs in a three-day span that say a lot about his restless curiosity.
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I write about Garrett Folger a lot here, and there’s a reason for that. No matter where I go to hear music, Folger is there. As a leader, sideman, composer, organizer or supporter of the scene, the Buffalonian seems to make most every interesting gig around here. I swear there must be five of him.
Folger’s gig book must be quite a sight. Yet even by his own standards of ubiquity, this week needs a big red circle around it for the two gigs in a three-day span that say a lot about his restless curiosity.
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Like many older fans, I’ve been waiting for a movement among jazz musicians to respond to the civil unrest and uprisings that have roiled the country for the last six years or so. The time seemed right for a new generation to follow the example of artists such as Archie Shepp, Max Roach and Abbey Lincoln and make strong, forthright statements decrying injustice and state-sanctioned violence.
On Friday night at BOP STOP, Civil Disobedience, a quintet assembled by bassist David Ambrosio, will keep the flame of the ’60s alive, not just rhetorically, but musically as well.
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