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Tag: Carmen Castaldi

Joe Lovano Returns Home With An Homage On His Mind

If you were a northeast Ohio native who would be returning for a visit in September, the most glorious month here, your itinerary would probably include family gatherings, clambakes, forest bathing in the Metroparks ,and if you have a strong stomach, maybe a Browns game. Even a local legend like Joe Lovano might have those on his vaca to-do list. But this September to remember, he’s making memories in a different–and more consequential–way.

The eminent saxophonist and composer is establishing an endowed fund to support merit-based scholarships for students in the J@MS (Jazz at The Music Settlement) program, and kicking off the effort with a concert, celebration and hang at BOP STOP called Joe Lovano: Family & Friends

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Nothing But Flowers, Part 1

Have you noticed? After a cold and rainy June, all of a sudden, the garden has exploded with activity. The herbs have shot up. New roses bloom daily, a Jackson Pollock action painting of color.

The rain and the sun and the heat (sooooo much heat!) have done the same for the NEO jazz scene as the next seven days are a greenhouse of compelling shows, any one of which would be worth 600 words.. But I’ll spare you that and instead offer the first harvest (the second drops tomorrow) of a guide to the week’s bouquet of music.

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Countdown: What To Do, Where To Go & What To Hear, Oct. 26 – Nov. 1

Bryan Kennard

When this writer worked in the hospitality industry, we had a name for Halloween: Amateur Night. Normally this would serve as a warning to pursue domestic entertainments until it’s safe to go out again. But what if “going out” is more treat than trick? This week’s candy necklace of events will test that notion with a variety of fun-size gigs and not a kernel of candy corn among them (though the late Carla Bley’s “King Korn” would be great addition to a spooky setlist).

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A Venerable Free Improv Showcase Finds Its Way Back

Togishi
Togishi (from left): Mike Sopko, Joe Tomino, Dan Wenninger

After the cultural extinction event of 2020, some lifeforms re-emerged sooner than others. You would expect the ones with the most funding to be among the first to return, though perhaps not at their previous strength. And you might imagine that the more DIY scenes, the ones for which precarity is an ongoing fact, would also survive.

The 1Way at the Go Factory series of free improvisation shows curated by saxophonist Dan Wenninger, is one of the survivors, though it’s more like a cicada than a hardy cockroach. It hasn’t been dormant for seven years; there were a few scattered comebacks last fall. When the series resumes March 28 at the Go Factory loft, with Togishi and the Folger/Bruce/Martinez Trio, it will mark what Wenninger hopes will be a second beginning, a 1Way 2.0.

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