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Not long ago, I would receive several CDs a week by female jazz singers who hoped to be the next big thing. These releases announced themselves by their packaging: over-the-top glam shots on the front cover and credits for wardrobe, hair and makeup on the back, and they were almost uniformly dreary affairs.
Alyssa Allgood may or may not be the next big thing, but the Chicagoan who makes her Cleveland debut at BOP STOP Friday, is assertively not one of those jazz singers.
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The solstice may be days away, but with temperatures in the 90s this week, no one in northeast Ohio can deny the early arrival of summer. Man, it’s hard to get anything done when it’s this hot, but that’s not why today’s usual feature post is taking a break. Bigger things are happening in let’s call this land. We’re moving.
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For more than a century Detroit’s factories have sent tens of millions of vehicles into the world. That’s remarkable, but so too is the city’s assembly line of great jazz pianists: Hank Jones, Barry Harris, Tommy Flanagan, Alice Coltrane and Geri Allen. Lesser-known, but equally polished are figures such as Terry Pollard, Johnny O’Neal, Bob Neloms and Kirk Lightsey. Add 69-year-old David Janeway, who will appear at BOP STOP on Friday with Robert Hurst and Billy Hart, to that distinguished list.
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Friendly experiencers,
Forget the headline of this post. The question this week is how to decide where to go & what to hear Friday night. Between an A-list Jamey Haddad quartet hit, a night of Roma jazz in beautiful CVNP and a powerhouse band led by saxophonist John Petrucelli, that’s a tall order. And that’s only if you won’t be at The Treelawn for Fred Hersch (see you there?). Still, this is a good problem to have and there is no wrong answer to this question. Whichever you choose, let me know what you heard and how you liked it. I’ll open the comments to this post, but please keep it clean and respectful.
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Silent, Listening, Fred Hersch’s affecting new recording, begins with a moody cover of “Star Crossed Lovers,” an Ellington/Strayhorn composition that was also on Hersch’s first trio recording as a leader, Horizon (Concord Jazz,1985). But don’t read too much into the programming. In music and in life, Hersch, who will play a solo concert at the Treelawn Music Hall on Friday, takes things a day at a time.
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