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Tag: Cole Porter

Nothing But Flowers, Part 2

Jazz goes on and on. It never ends.

Vinnie Sperazza invokes that mantra often in Chronicles, his big-hearted and essential Substack. And it’s true! Just look at the variety of shows by local and touring musicians in the four days beginning Thursday. And while I’m here, I need to give some love to Jim Szabo whose weekly jazz calendar for WRUW is the menu from which I order. To get your own copy, visit the link at the end of this piece.

The menu analogy is no accident. Like food, music is best enjoyed in company. It’s a social activity, after all. And if you haven’t left the nest in a while, spread those wings and fly off to one of the many jazz events in our area this weekend. Below are four you might want to consider.

On and on.

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At BOP STOP: Grease and Grace Combine In Pat Bianchi’s Organ Trio

Pat Bianchi
photocredit: Aidan Grant

It was a simple question that I asked Pat Bianchi: Which is your dominant hand? His answer was more complex than I expected.

“I’m kind of both,” he said. “I write with my left hand. I can write with my right hand, too, so it kind of flips back and forth.”

Ambidexterity is a useful trait for a keyboard player to possess, and because Bianchi’s primary instrument is the Hammond B-3 organ, his feet are also involved.

The lack of a dominant hand is an interesting footnote for sure but it’s also a metaphor for the absence of a dominant aesthetic in Bianchi’s musical choices, something that makes his Friday appearance at BOP STOP an unusually compelling event.

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Countdown: Where To Go & What To Hear In NEO June 6-13

photocredit: Thom Kerr

Friendly experiencers,

Forget the headline of this post. The question this week is how to decide where to go & what to hear Friday night. Between an A-list Jamey Haddad quartet hit, a night of Roma jazz in beautiful CVNP and a powerhouse band led by saxophonist John Petrucelli, that’s a tall order. And that’s only if you won’t be at The Treelawn for Fred Hersch (see you there?). Still, this is a good problem to have and there is no wrong answer to this question. Whichever you choose, let me know what you heard and how you liked it. I’ll open the comments to this post, but please keep it clean and respectful.

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Countdown: Where To Go & What To Hear In NEO, Dec. 14-21

This is the time of year when the live music scene cools a bit, but gentle readers of let’s call this, let nothing you dismay. A sleighful of holiday shows by some of Northeast Ohio brightest vocalists more than picks up the slack. Even if you feel a little Scrooge-y about seasonal favorites, our quartet of singers are here to offer you a cookie tray of holiday treats both salty and sweet. So dig in, dig?

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A Great Week in Cleveland, Part 2: Moor Mother, Lonnie Holley, Lee Bains and Mourning [A] BLKstar

Moor Mother
Moor Mother photo by Samantha Isasian

Eleven months ago, A.J. Kluth was at New York’s New School at a conference presented by Black Quantum Futurism, the literary and artistic collective created by Philadelphians Rasheedah Phillips and Camae Ayewa, the composer and poet who performs as Moor Mother.

“That was my first time meeting Camae and really feeling like the work that the collective was doing [and] that she was doing as a musician was deeply important and urgent,” Kluth said on a video call earlier this month. “I said, ‘I would love to bring you to Cleveland sometime.’ She’s like, ‘That sounds cool. I’ve never been to Cleveland. Let’s do that.’  But she’s really busy. She’s got a really heavy touring schedule and it didn’t seem plausible.”

AJ Kluth
AJ Kluth

Several months of phone calls, planning meetings and grant applications later, the Case Western Reserve University musicologist’s implausible idea has become reality, and a reality greater than even he imagined.

On Friday evening, Moor Mother will be joined on the stage of Gartner Auditorium at the Cleveland Museum of Art by Lonnie Holley, Lee Bains, and the Cleveland-based collective Mourning [A] BLKstar for a presentation Kluth called “Toward a Different Kind of Horizon, an extraordinary collection of artists who to varying degrees are associated with the cultural movement known as Afrofuturism.

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