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In the midst of a recording session with his New York big band, Columbus-born, Brooklyn-based trombonist, composer and arranger Sam Blakeslee noticed an interesting dynamic among the players.
“On the first take everyone in the band was like, ‘Who are these people? Why are they playing like this, because it just sounds so different? Why haven’t I heard stuff like this before?’” Blakeslee’s answer: “Because it’s Cleveland.”
“These people,” saxophonists Chris Coles and Nathan-Paul Davis, and the cream of Northeast Ohio’s jazz community, will join Blakeslee on the stage of BLU Jazz+ this weekend for a homecoming so packed with music that it will take two nights to play it all.
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It could just be a case of wishful thinking, but the terrific things I’m hearing about this past weekend’s inaugural Hingetown Jazz Festival show what can happen when top-flight musicians, welcoming venues and tireless, community-minded organizers come together to meet audiences where they are. Who wouldn’t be stoked for the future?
And you won’t have to wait to get a glimpse of what that future might look like, because this weekend brings Akron’s annual Rubber City Jazz and Blues Festival Sept. 7-9.
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Everywhere you listen these days, you’ll find young musicians from South America ripping it up. Bassist Jorge Roeder (Peru), the enchanting guitarist and vocalist Camila Meza (Chile), pianist Leo Genovese (Argentina) and way too many to mention from Brazil are among the most exciting examples. But try to name a jazz musician from Ecuador and you might come up empty.
Meet Ricardo Morales Vivero, a 28-year-old guitarist from Quito who will celebrate the release of his recording debut, Introspectiva (self-released), with a concert at BOP STOP Thursday.
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