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Tag: jazz CD

Can We Talk? Gerald Clayton Comes to Bop Stop for Two Conversations on Improvisation

 

For generations, the jazz business has spent a lot of time and money looking for ways to grow the genre’s dedicated but comparatively small audience. Pianist Gerald Clayton has some advice for them: Ain’t nothing to it but to do it.

“That applies to how to approach playing the music, learning how to play the music, and also learning how to listen to it,” the 38-year-old Clayton said in a phone interview Tuesday. “If we just have folks listening to this music over and over and over, I think the process will come pretty naturally and take care of itself, but I think there’s nothing wrong with having a bit of a liaison, a tour guide pointing out some things to listen for.”

On June 1 and 2 that tour departs from Bop Stop sailing under the flag of Piano Cleveland’s Listening Series with Clayton as your guide.

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Born In A Log Cabin: AlbaTrio Celebrates the Release Of Their Debut CD

AlbaTrio
from left: Tommy Lehman, Anthony Taddeo, Tim Lekan

If you pick up a copy of AlbaTrio‘s eponymously titled new recording at Sunday’s release party at Bop Stop—and you should—you’ll hear an impressive showcase for trumpeter Tommy Lehman, bassist Tim Lekan and percussionist Anthony Taddeo. But listen closely and you might sense the presence of an uncredited fourth voice: the spacious yet intimate ambience of Strong Cabin in Lake Metroparks near Madison, Ohio.

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Roll Call: March 8, 2022

I get a lot of music for my consideration, already more than 160 new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.

Anniversaries and theme celebrations generally make writers groan, but editors love them. At let’s call this, I wear both hats, and this week I’ll give my editor side the benefit of the doubt. Thus today’s Women’s History Month roundup of notable new releases by women. There’s more than a common editorial conceit behind the post; these four recordings are outstanding by any measure and make a strong case for the increasing and long overdue prominence of women who play, write for and lead bands at the forefront of improvised music in the Black American tradition.

Julieta Eugenio JUMP cover

Looking at the cover photo for JUMP (Greenleaf Music), you might be forgiven for mistaking tenor saxophonist Julieta Eugenio for a teenager, but she is no kid. 

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