There’s no point in burying the lede: if you’re a jazz fan living in Northeast Ohio, Tri-C JazzFest is a circle-the date event. And now it’s here.
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When Reggie Watkins came on screen for our video interview last week he wore a Pittsburgh Pirates baseball cap. When I jokingly expressed my sympathy for his devotion to the once-proud team now seemingly committed to mediocrity, Watkins would have none of it. He’s a Pittsburgh ride or die, but intercity rivalries aside, he also loves Cleveland jazz and returns to a familiar stage at BOP STOP for a gig Friday.
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Dan Weiss is a no-compromises guy. He doesn’t jog occasionally for his health; he trains hard and races. He turned an interest in South Asian music into a decades-long immersion with tabla master Samir Chatterjee. When I suggested to the drummer last week that he struck me as slightly obsessive, his response was unequivocal: “Yeah, yeah, yeah, totally. Totally!”
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The billing of Sax Battle Cry, the pair of concerts that Nathan-Paul Davis and Johnny Cochran, Jr. will present this week, evokes the classic two-saxophone tussles of the past: Dexter Gordon and Wardell Grey, Eddie “Lockjaw” Davis and Johnny Griffin, the various cage matches that were a trademark of the Jazz At The Philharmonic road show. But don’t believe the hype. The meeting of Davis and Cochran is more friendly competition than mano á mano combat.
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Review: “Kiss Me Quick” from Holly Cole’s “Dark Moon” All About Jazz, 4 February, 2025
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