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For something a little different today, let’s talk politics. Not electoral politics; we’ve all had enough of that. No, let’s talk musical politics, which can be just as divisive and irrational. Just ask Max Johnson. He plays bass in various jazz contexts, including a trio with saxophonist Neta Raanan and drummer Eliza Salem that makes stops at BLU Jazz+ and in Avon Lake this weekend. But he also plays and composes bluegrass and concert music. It could drive a gatekeeper mad.
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With Labor Day in the rearview mirror, northeast Ohio returns to the comfortable (clambakes, sweaters) and maybe less comfortable (fretting about the Browns) routines of early autumn. Hey, traditions are traditions, and they don’t change much–unless you’re a NEO jazz fan in which case you’ll want to add the Rubber City Jazz & Blues Festival to your list.
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Labor Day is a circle-the-date weekend for jazz in the Midwest with free festivals in Detroit and Chicago. The organizers of the Hingetown Jazz Festival would like to add their event to the list, and judging by the success of the inaugural all-day, all-free festival last year, they just might have a chance.
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Do an Internet search for jazz and baseball and you’ll get no shortage of citations. Some of them are fascinating, most of them are sentimental and nearly all of them the are work of older men—further evidence that the once-“National Pastime” and “America’s Classical Music” (scare quotes intentional) are strictly for the AARP set. Enter Lucas Apostoleris a 31-year-old drummer who responds to that notion the way Jose Ramirez does to a hanging curve over the plate. Track, wall, gone!
Don’t look now, but baseball has become a young man’s game, at least on the field, and the athletic young band Apostoleris will bring to BOP STOP Sunday are a Futures Game-level lineup of talent on the rise.
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Before the comments section, before digital sampling, before AI large language models, there was after. As seen in titles, it signals the venerable practice of a poet responding or replying to, elaborating on, refuting or outright imitating the work of another poet. And it’s the organizing principle behind the music that multi-instrumentalist Aaron Irwin will bring to BOP STOP Sunday.
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