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When you think about the greats of Pittsburgh jazz the first names that come to mind might be the pianists, an incredible legacy that stretches from Earl Hines through Mary Lou Williams, Errol Garner, Ahmad Jamal, and Sonny Clark.
That’s pretty hard to beat—until you consider the drummers: Kenny Clarke, Art Blakey Beaver Harris, and Jeff “Tain” Watts. And smack dab in the middle of that roll call is Roger Humphries, who will make his BOP STOP debut at 82 on Friday.
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I get a lot of records from publicists looking for a review, 788 last year. That’s way more than I can get to, but I try to check in on most of them. Last year I noticed that a lot of them had Troy Roberts on tenor saxophone, and even on records I didn’t care for–maybe especially those–I was drawn to his muscular sound. I missed his appearance last year with Pat Bianchi (a gig I previewed here), but I–and Cleveland—will get a second bite of the apple Sunday, Feb. 16 when the saxophonist returns to BOP STOP.
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