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If you know Joshua Smith only through his exploratory work with the cooperative trio Birth, you might be surprised to learn, as I did, that the saxophonist has a thriving practice playing straightahead jazz. His Friday concert at BOP STOP won’t be a standards gig, but it will show a side of the 45-year-old saxophonist that might surprise some fans.
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When this writer worked in the hospitality industry, we had a name for Halloween: Amateur Night. Normally this would serve as a warning to pursue domestic entertainments until it’s safe to go out again. But what if “going out” is more treat than trick? This week’s candy necklace of events will test that notion with a variety of fun-size gigs and not a kernel of candy corn among them (though the late Carla Bley’s “King Korn” would be great addition to a spooky setlist).
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It’s a week for celebrations with a birthday, an anniversary and a chicken or pasta dinner on the musical menu for your mid-October listening and dining pleasure. Add a penetrating talk by one of musicology’s preeminent thinkers and public intellectuals and watch your calendar fill up. It all starts here.
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Todd Marcus is the sort of guy who likes to walk an unconventional path. That path will bring him to BOP STOP on Wednesday with a unique quintet that features clarinetist Virginia MacDonald and Marcus’ bass clarinet on the frontline.
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After the cultural extinction event of 2020, some lifeforms re-emerged sooner than others. You would expect the ones with the most funding to be among the first to return, though perhaps not at their previous strength. And you might imagine that the more DIY scenes, the ones for which precarity is an ongoing fact, would also survive.
The 1Way at the Go Factory series of free improvisation shows curated by saxophonist Dan Wenninger, is one of the survivors, though it’s more like a cicada than a hardy cockroach. It hasn’t been dormant for seven years; there were a few scattered comebacks last fall. When the series resumes March 28 at the Go Factory loft, with Togishi and the Folger/Bruce/Martinez Trio, it will mark what Wenninger hopes will be a second beginning, a 1Way 2.0.
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