At this point, Dave Rempis, who will appear with drummer Tyler Damon at Saturday gig presented by New Ghosts, is a known quantity in Cleveland. By his own count, the Chicago multi-reedist said, “I must’ve played there 12 or 15 times. It’s often more than once a year. Oh man, the list goes on and on.”
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Marco Benevento is a workaholic. The playful, keyboardist who gleefully straddles the worlds of jam-band euphoria, jazzy, improvisatory exploration and nerdy gadget geekery might not fit the image of the jittery, Type-A striver but just listen to the man himself.
“I’m a very productive person,” he said by phone last month from his home in Woodstock, New York and one listen to his latest release, Marco Benevento (Royal Potato Factory, 2022), proves his point. Benevento composed all the music and played all the instruments except for some occasional added percussion and the vocals, aside from cameos by his wife and children are all Benevento’s.
But as much as studio wonkery appeals to the 45-year-old New Jersey native (and more about that later), he’s a road dog at heart who will return to a favorite venue, the Beachland Ballroom and Tavern March 14 on a double bill with labelmates Mike Dillon and Punkadelic.
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Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.
Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.
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