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Joe Lovano Returns Home With An Homage On His Mind

If you were a northeast Ohio native who would be returning for a visit in September, the most glorious month here, your itinerary would probably include family gatherings, clambakes, forest bathing in the Metroparks ,and if you have a strong stomach, maybe a Browns game. Even a local legend like Joe Lovano might have those on his vaca to-do list. But this September to remember, he’s making memories in a different–and more consequential–way.

The eminent saxophonist and composer is establishing an endowed fund to support merit-based scholarships for students in the J@MS (Jazz at The Music Settlement) program, and kicking off the effort with a concert, celebration and hang at BOP STOP called Joe Lovano: Family & Friends

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At Severance, Julian Davis Reid Examines Both Sides of The American Dream

Julian Davis Reid

Like many Black musicians, pianist, bandleader and theologian Julian Davis Reid paid close attention to poet and essayist Amiri Baraka’s 1963 book “Blues People: Negro Music in White America.” Reid was particularly taken with, as he told me, “this idea that Black music is a place where people in this country, Black and otherwise, rest. But at the same time, the music emerges from our sense of homelessness, of not feeling welcomed.”

Baraka was a man of action as well as of ideas, and Reid, a graduate of Yale Divinity School, took his words as a call that Reid answered in words and music with “The American Dream, the American Nightmare, and Black American Music,” which he will present Thursday at 7:30 p.m. in Reinberger Chamber Hall at Severance Music Center. as part of the Cleveland Orchestra’s weeklong Mandel Opera & Humanities Festival: The American Dream.

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