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Tag: northeast Ohio jazz

It’s been a long, cold, lonely winter . . .

Summer’s sudden arrival in northeast Ohio has everybody emerging from their deep-winter isolation and hitting the streets. Cabin fever is breaking for national and touring jazz artists, too, and they are hitting area stages en masse this week.

With so many worthwhile shows in the next seven days, I’ll offer a kind of consumer’s guide to where to go and who to hear. There’s a wide range of music on offer this week; you really can’t go wrong with any of these shows.

Countdown . . .

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Civil Disobedience Keeps The Flame Of 1960s Resistance Alive

Civil Disobedience band
Civil Disobedience (from left): Bruce Barth, David Ambrosio, Donny McCaslin, Jason Palmer, Victor Lewis (obscured)

Like many older fans, I’ve been waiting for a movement among jazz musicians to respond to the civil unrest and uprisings that have roiled the country for the last six years or so. The time seemed right for a new generation to follow the example of artists such as Archie Shepp, Max Roach and Abbey Lincoln and make strong, forthright statements decrying injustice and state-sanctioned violence.

On Friday night at BOP STOP, Civil Disobedience, a quintet assembled by bassist David Ambrosio, will keep the flame of the ’60s alive, not just rhetorically, but musically as well.

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Nathan-Paul’s Age of Aquarius Dawns At Edwin’s

Nathan-Paul Davis at RCB&J
Nathan-Paul Davis at Rubber City Jazz and Blues Festival

Nathan-Paul Davis makes this statement at the top of his Linktree page:

"I play energy, not notes!" Nathan-Paul calls his music SOUND MEDICINE.

Anyone who has heard Davis play will recognize that he is simply stating facts. No cap. No flex. The energy in a typical Nathan-Paul performance could power a dozen AI server farms for a month.

Thursday night finds the saxophonist in an unusual setting: playing a birthday gig, in this case, his own. The setting, Edwin’s Leadership & Restaurant Institute, is at once familiar, but different.

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Trumpeter Peter Evans Has One Foot In Several Musical Worlds

Peter Evans


For anyone looking to map the frontiers of what is possible on the trumpet, BOP STOP was the place to be last June*. There, with the Dan Weiss Quartet, Peter Evans laid out all the landmarks: Olympic-level feats of circular breathing, splatters of 16th notes (or were they 32nds?) in a register beyond the Kuiper Belt, even playing rhythms by placing the microphone in the bell of his instrument and blowing unpitched thuds.

It was eye-popping, yet it was all in a day’s work for Evans, who returns to the Hingetown club Thursday for a solo set in the final presentation of the 2025 season of concerts presented by New Ghosts.

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For Saxophonist Bruno Every Time On Stage Is Show Time

Anthony Bruno

Growing up in Chicago with a father who played old-school rock and blues, saxophonist Anthony Bruno got an early immersion in the grind of the working musician.

“Whether it was in rehearsal spaces, bars, festivals, green rooms, recording rooms– that was just my life,” he said. “So when I would hang out and talk to other kids in school they’d be like, ‘What did you do this weekend?’ I’m like, ‘I was at this festival, then this rehearsal, and this thing,’ and they’re like, ‘What is that?’ I was like, ‘Oh! That’s not what every kid does all the time?’”

It’s what Bruno does all the time, and increasingly, in Cleveland where he will lead a high-powered quartet at BOP STOP Friday.

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