The best improvised music in the Black American Tradition offers something for the head, heart and feet. A pair of concerts this weekend at BOP STOP offer a potent distillation of how much music can move us.
Comments closedTag: Ohm!
Have you noticed? After a cold and rainy June, all of a sudden, the garden has exploded with activity. The herbs have shot up. New roses bloom daily, a Jackson Pollock action painting of color.
The rain and the sun and the heat (sooooo much heat!) have done the same for the NEO jazz scene as the next seven days are a greenhouse of compelling shows, any one of which would be worth 600 words.. But I’ll spare you that and instead offer the first harvest (the second drops tomorrow) of a guide to the week’s bouquet of music.
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Friendly experiencers,
An experiment this week: I’m issuing Countdown as a video-only post. Let’s see how it works. What do you think?
I couldn’t live without Jim Szabo’s essential, weekly Northeast Ohio jazz calendar , NEO’s most complete list of jazz and jazz-adjacent events. If you haven’t visited it lately, what are you waiting for?
NOTE: This article was written by a real human being. No artificial intelligence or generative language models were used in its creation.
Red beans and ricely yours,
jc
Friendly experiencers,
If you want a wellness check of the local improvised music scene, start with checking the vitals. Return appearance by a touring artist: Check. Exciting new project from ace local players: Check. Free concert: Check and bonus points for the beloved Cleveland artists on the marquee. So things are looking good as northeast Ohio heads into summer and a stacked June calendar is just getting started.
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Kurt Elling and SuperBlue at Cleveland Museum of Art
In his 30-odd years on the scene, Grammy-winning singer Kurt Elling has topped the Down Beat Critics Poll 13 times and has received the Jazz Journalists Association Male Singer of the Year award eight times. He’s done this while singing texts written by Theodore Roethke and Walt Whitman, a Monkees hit, one of Brahms’ Liebeslieder Waltzes. Whitney Balliett might have had Elling’s musical choices in mind when he wrote his famous characterization of jazz as being “the sound of surprise.”
Yet none of Elling’s neck-snapping musical eccentricities was as shocking as SuperBlue, which will come to Gartner Auditorium at the Cleveland Museum of Art Wednesday.
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