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Tag: Pat Bianchi

It’s been a long, cold, lonely winter . . .

Summer’s sudden arrival in northeast Ohio has everybody emerging from their deep-winter isolation and hitting the streets. Cabin fever is breaking for national and touring jazz artists, too, and they are hitting area stages en masse this week.

With so many worthwhile shows in the next seven days, I’ll offer a kind of consumer’s guide to where to go and who to hear. There’s a wide range of music on offer this week; you really can’t go wrong with any of these shows.

Countdown . . .

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Troy Roberts, A Saxophone Wizard From Oz, Lands at BOP STOP

Troy Roberts

I get a lot of records from publicists looking for a review, 788 last year. That’s way more than I can get to, but I try to check in on most of them. Last year I noticed that a lot of them had Troy Roberts on tenor saxophone, and even on records I didn’t care for–maybe especially those–I was drawn to his muscular sound. I missed his appearance last year with Pat Bianchi (a gig I previewed here), but I–and Cleveland—will get a second bite of the apple Sunday, Feb. 16 when the saxophonist returns to BOP STOP.

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At BOP STOP: Grease and Grace Combine In Pat Bianchi’s Organ Trio

Pat Bianchi
photocredit: Aidan Grant

It was a simple question that I asked Pat Bianchi: Which is your dominant hand? His answer was more complex than I expected.

“I’m kind of both,” he said. “I write with my left hand. I can write with my right hand, too, so it kind of flips back and forth.”

Ambidexterity is a useful trait for a keyboard player to possess, and because Bianchi’s primary instrument is the Hammond B-3 organ, his feet are also involved.

The lack of a dominant hand is an interesting footnote for sure but it’s also a metaphor for the absence of a dominant aesthetic in Bianchi’s musical choices, something that makes his Friday appearance at BOP STOP an unusually compelling event.

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