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Countdown: Where To Go & What To Hear In NEO June 6-13

photocredit: Thom Kerr

Friendly experiencers,

Forget the headline of this post. The question this week is how to decide where to go & what to hear Friday night. Between an A-list Jamey Haddad quartet hit, a night of Roma jazz in beautiful CVNP and a powerhouse band led by saxophonist John Petrucelli, that’s a tall order. And that’s only if you won’t be at The Treelawn for Fred Hersch (see you there?). Still, this is a good problem to have and there is no wrong answer to this question. Whichever you choose, let me know what you heard and how you liked it. I’ll open the comments to this post, but please keep it clean and respectful.

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Stephen Philip Harvey Runs On Big Nerd Energy

Stephen Philip Harvey is a saxophonist, educator, composer, arranger, clinician, label executive, husband and son. Though he just turned 32 last Friday, you have to wonder where he gets the energy.

“I think it’s unfortunately a symptom of high functioning anxiety,” he said with a laugh that belied the sentiment. “Realistically, and emotionally,” he added, “I just really, really love music.”

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Restless Traditionalist Jim Snidero Returns To BOP STOP For A Blackberry Winter Date

photocredit: John Rogers

On his new recording, For All We Know (Savant, 2024), Jim Snidero leaned heavily on the classic repertoire: “Love For Sale,” “Willow Weep For Me,” “My Funny Valentine” and the title cut. But midway through, he throws in an unexpected selection, Alec Wilder’s “Blackberry Winter.”

“Well, I love the melodies,” Snidero said by phone, “One of the prettiest melodies I’ve ever recorded is ‘Blackberry Winter.’ I’m trying to stay true to that melody and still be interesting at the same time. It’s always a balance between knowing and not knowing. For me anyway, I’m trying to have a grounding when I’m playing, but still have surprises and still keep people interested and not sure about what’s going to come next.”

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Countdown: Where To Go & What To Hear In NEO, Feb. 22-29

Ken Vandermark's Edition Redux
Ken Vandermark’s Edition Redux. Photocredit: Alex Inglizian

Friendly Experiencers,

It’s been a minnit, I know, but the last eight weeks has been a bit of a time, which is to say that big changes are afoot, but getting on the good foot, I should have the time and mental energy to resume the coverage here and there’s much to cover on the NEO scene in the very near future. So let’s get right to it.

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Anthony Taddeo’s Jazz all’Italiana Band Alla Boara Sets Sail With A New Record And Tour

Alla Boara

One of the highlights of a performance by Alla Boara, percussionist Anthony Taddeo’s jazz-meets-Italian-folk-music project, is “Mamma Mia Dammi Cento Lire.” It’s a musical setting of conversation between a young woman, wheedling 100 lire from her mother so that she can go to America to start a new life, and her mother who warns that if she leaves her village the feckless girl will drown when her ship sinks. All this is set to an earworm of a dancing melody. The words, brought to vivid life by Amanda Powell, a superb singing actress, have the sly worldliness and teasing insinuation of opera buffa.

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