There’s no point in burying the lede: if you’re a jazz fan living in Northeast Ohio, Tri-C JazzFest is a circle-the date event. And now it’s here.
Comments closedTag: Shenel Johns
You never know what might happen at a debut gig. Surprises are all but guaranteed when a band takes the stage for the first time, but for TRIAD, the collective of Dominick Farinacci, Christian Tamburr and Michael Ward-Bergeman, the biggest surprise came at load-in.
“Gianni Valenti, the owner of Birdland, gave me three nights,” Farinacci recalled. “I said, ‘I still want to do it under my name but have TRIAD because it’ll be a great experience.” Valenti agreed, but a few months later when the band arrived at the storied New York club, Valenti bellowed “What the hell is this instrumentation? Where is the bass player?”
There wasn’t one. And when TRIAD loads in to The Treelawn Music Hall Friday, there won’t be a bass player just Farinacci on trumpet, vibes and marimba by Tamburr and Ward-Bergeman’s accordion.
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One of the great pleasures of this project is the opportunity to do a weekly temperature check of the NEO scene., with a focus on live performance where it surely belongs. No performances, no scene, right?
But NEO artists have lately been as active in the studios as they are on the area’s stages and bandstands. That’s a good thing, too. Some projects have been covered here, including Work and Song, the exultant live recording by Alla Boara made at BOP STOP last July, Lucas Kadish’s Tundra, which was a big part of this entry from 2023, and the forthcoming recording laid down two weeks ago by the Third Law Collective wsg Russ Johnson, a project I profiled here. A few more will get the in-depth treatment in future posts here and at All About Jazz.
Still it’s been a while since let’s call this has called the roll on recordings, and given the spring shower of recent releases, now’s the time.
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