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Why are these men smiling?
At the poker table a pair of eights is nothing to get excited about, but on the jazz calendar it’s a winning hand. And NEO is holding it this week thanks to a pair of concerts–both tied to upcoming recordings–featuring dynamic octets led by Stephen Philip Harvey and Bobby Selvaggio.
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In the circular economy of jazz, new recordings are supported by album release tours or shows and those performances in turn create a market for the recordings. Just how this works is on display this week as concerts by pianist Ben Tweedt and saxophonist Matthew Alec, two artists with ties to northeast Ohio, celebrate the releases of their latest recordings.
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Friendly experiencers,
Let’s just get this out of the way: jazz fans, the coming week is absolutely stacked. It’s so full of notable shows that it took two let’s call this posts to begin to cover it–and a third might not get to the bottom of the good stuff.
If the music calendar for the week were a dart board, you could close your eyes and hit a bullseye every time.
So as March goes out like a lion here’s your bulldog edition of Pull UP! Now have fun filling up that calendar.
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Despite the increasing numbers of creative improvising musicians who play it, the double bass in a solo context—on record or in performance–remains a comparatively uncommon sound.
Yet Brandon Lopez, with a new recording and a showcase at this weekend’s Re:Sound festival presented by the Cleveland Uncommon Sound Project, is the exception that proves the rule.
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“I hate that a big band is so . . . big,” saxophonist, composer and arranger Stephen Philip Harvey said with a chuckle. “It’s financially a problem, but I just really like big band music.”
Harvey likes it so much that he’s putting aside the financial, organizational and logistical challenges of touring with a big band to bring the Stephen Philip Harvey Jazz Orchestra (SPHJO) to Cleveland’s Bop Stop Thursday night to support the release two weeks ago of the band’s debut recording, Smash! (Next Level, 2022).
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