In the circular economy of jazz, new recordings are supported by album release tours or shows and those performances in turn create a market for the recordings. Just how this works is on display this week as concerts by pianist Ben Tweedt and saxophonist Matthew Alec, two artists with ties to northeast Ohio, celebrate the releases of their latest recordings.
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How many times have you heard this—or said it yourself—when leaving a great concert by a touring musician: Why can’t we get more shows like this here?
Kyle Knoke, a graphic designer and concert promoter found himself asking that question and decided to answer it by creating the Midwest Jazz Collective, a consortium of 13 clubs and presenting organizations that will bring Emmy-nominated trumpeter and vocalist Benny Benack III to BOP STOP March 25 and BLU Jazz+ the following night.
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The last year or so has seen an explosion of recordings by Cleveland improvising artists such as Kent Engelhardt and Stephen Enos, Kevin Martinez’s Reclamation Band, Alla Boara, Bobby Selvaggio, TRIAD, a new project by Dominick Farinacci (more about that one soon) and a forthcoming Cleveland Jazz Orchestra anniversary release.
Into this hive of activity by established artists comes an ambitious live recording date Saturday night by a band that is scarcely more than a year old. Youthful overreach? Not when the band is the Third Law, the composers collective that is a veritable all-ages writers room for some of the most interesting large ensemble jazz being made around here.
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