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The release last week of Red Rhinoceros, the debut recording by Bobby Selvaggio’s octet of the same name, completes a narrative right out of “Jurassic Park,” the Michael Crichton novel and blockbuster Steven Spielberg film about long extinct species recreated out of ancient DNA.
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If you are searching for a glimmer of light in this dark and ominous hour, consider this. We are living in a golden age of jazz piano. There are more interesting pianists playing in a wider spectrum of styles at a high level of artistry and technique than at any time in the music’s eleven-decades of existence.
And it gets better. Three such pianists, Orrin Evans, Simona Premazzi and Philip Golub, can be heard in Cleveland over the next eight days. Though they might not have the name recognition of a Herbie Hancock or Jon Batiste, all are singular stylists who encounter the jazz piano tradition in idiosyncratic and brilliantly original ways.
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Hands up: did you have a meteorite explosion on your St. Paddy’s Day bingo card this morning? That was a sound the likes of which I’ve never heard–which, in broadcasting is called a smooth segue to the topic at hand: music.
To say that this week’s constellation of concerts descended from the heavens is a reach, but starry? For sure!
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Tigran Hamasyan is a man with a foot in each of two worlds, both geographically and temporally.
“Basically, I love telling stories,” Hamasyan told me to begin our interview. “And throughout my discography, there’s this aspect that each song tells a story through music.” It’s the kind of thing you might expect to hear from any musician, but the fact that Hamasyan said this from his home in Yerevan, Armenia, one of the oldest continuously inhabited settlements in the world, gives his comment the weight of an ancient culture steeped In stories.
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Summer’s sudden arrival in northeast Ohio has everybody emerging from their deep-winter isolation and hitting the streets. Cabin fever is breaking for national and touring jazz artists, too, and they are hitting area stages en masse this week.
With so many worthwhile shows in the next seven days, I’ll offer a kind of consumer’s guide to where to go and who to hear. There’s a wide range of music on offer this week; you really can’t go wrong with any of these shows.
Countdown . . .
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Like many older fans, I’ve been waiting for a movement among jazz musicians to respond to the civil unrest and uprisings that have roiled the country for the last six years or so. The time seemed right for a new generation to follow the example of artists such as Archie Shepp, Max Roach and Abbey Lincoln and make strong, forthright statements decrying injustice and state-sanctioned violence.
On Friday night at BOP STOP, Civil Disobedience, a quintet assembled by bassist David Ambrosio, will keep the flame of the ’60s alive, not just rhetorically, but musically as well.
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