Author: John Chacona

Lately there’s been a revival of interest in so-called spiritual jazz, a meditative offshoot of the 1960’s avant-garde that was advanced by figures such as the late harpist and organist Alice Coltrane and Pharaoh Sanders, a tenor saxophonist very much with us whose “Promises,” a collaboration with British electronic musician Floating Points, topped many critics’ lists of 2021’s best jazz recordings.

The attention these once undervalued players are receiving is both gratifying and overdue, but spiritual jazz has never gone away, as anyone who has had the privilege of attending the nearly annual Erie concerts of Kahil El’Zabar‘s Ethnic Heritage Ensemble can tell you.