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John Chacona writes Posts

Chris Pitsiokos and Weasel Walter Open the 2025 New Ghosts Season

Visit the website of Chris Pitsiokos (click on this name and you’ll get there) and you’ll see an image of a blue sky striped with contrails. The saxophonist is no conspiracy theorist, but he is a roaddog, logging 92 shows in 2024. He’s off to a strong start in 2025, too, with a tour that will bring him to the Little Rose Tavern for a duo gig with eruptive drummer Weasel Walter presented by New Ghosts.

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A vintage selection from the cellar

Today I’m getting my Muck Rack profile together before I pitch an article to a city/regional magazine. To this online portfolio of my work I added this piece I wrote in 2011 for a city/regional title in Erie, Pennsylvania that is no longer published. It’s a scan of the page because, like the magazine itself, its digital archive also disappeared, maybe during a server migration some years ago or more likely when the publisher was acquired. Capitalists gonna capitalist I guess.

I’m especially fond of this piece, a bittersweet chronicle of a rich time in my life. But that’s not the only attraction it holds for me. It has a happy ending, and not just in the glass. You see, dear reader, the woman I obliquely and, I hope, generously alluded to in the opening graf, married me in 2019.

Cheers!


NOTE: This was written by a real human being. No artificial intelligence or large language models were used in its. You shouldn’t use them either.

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At BOP STOP: Grease and Grace Combine In Pat Bianchi’s Organ Trio

Pat Bianchi
photocredit: Aidan Grant

It was a simple question that I asked Pat Bianchi: Which is your dominant hand? His answer was more complex than I expected.

“I’m kind of both,” he said. “I write with my left hand. I can write with my right hand, too, so it kind of flips back and forth.”

Ambidexterity is a useful trait for a keyboard player to possess, and because Bianchi’s primary instrument is the Hammond B-3 organ, his feet are also involved.

The lack of a dominant hand is an interesting footnote for sure but it’s also a metaphor for the absence of a dominant aesthetic in Bianchi’s musical choices, something that makes his Friday appearance at BOP STOP an unusually compelling event.

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