I look at let’s call this as a sort of chamber of commerce for the local scene. It’s important work, especially given the general indifference of the local media to improvised music in the Black American tradition and it’s great fun for me to do, a gateway for this NEO neophyte into the thriving local scene. But two posts a week takes a lot of time to crank out and with holiday travel, my anniversary and listening to catch up with before the yearend polls are due, the next couple of weeks will concentrate on these Countdown previews of upcoming events. Fortunately, there’s a lot to talk about, including more new releases, the first big event at a significant new venue and more. Buckle up. It’s going to be an interesting ride.
Tag: Aidan Plank
As the weather turns chillier and recreation shifts to indoor locations, the NEO scene is responding with a clambake of compelling offerings this week. Touring artists and local luminaries are throwing down. That’s a challenge for those who like to map out their musical itinerary, but what a nice problem to have, right? Supporting live music is always the right choice, but for a little advice, scroll down. You’re sure to find something interesting.
It’s going to be a great weekend for music in NEO, but where to start? Countdown gets you ready with a roundup of some of the most notable music events that you might want to check out. Think of it as your every-Thursday planning guide to a weekend of music and good times.
Keigo Hirakawa Trio, Thursday, Aug. 17, 7 p.m., BOP STOP, Cleveland
It would be convenient to describe Keigo Hirakawa as an academic who plays piano as a hobby, but after one listen to Dr. Hirakawa (he’s professor of electrical and computer engineering college at the University of Dayton) charge through postbop changes, it’s apparent that he could have gone pro in jazz. And he has with a new record, Pixel (Origin Records), that dropped in June. To celebrate the release, Hirakawa will rip it up with bassist Eddie Brookshire and drummer Reggie Jackson.
Despite the increasing numbers of creative improvising musicians who play it, the double bass in a solo context—on record or in performance–remains a comparatively uncommon sound.