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For something a little different today, let’s talk politics. Not electoral politics; we’ve all had enough of that. No, let’s talk musical politics, which can be just as divisive and irrational. Just ask Max Johnson. He plays bass in various jazz contexts, including a trio with saxophonist Neta Raanan and drummer Eliza Salem that makes stops at BLU Jazz+ and in Avon Lake this weekend. But he also plays and composes bluegrass and concert music. It could drive a gatekeeper mad.
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When you think of all the challenges that have faced independent music venues for the past ten years, industry consolidation, soaring rents and the rise of streaming entertainment—then add the COVID-19 shutdown–it’s a miracle that there are any places left to hear live music. The jazz scene, which has lived on the economic knife’s edge for decades, was hit hard. Yet a few places survived, and that’s something to celebrate.
Welcome to BOP STOP, the little engine that could and the beating heart of Cleveland’s scene. This week the club marks its tenth anniversary in its third incarnation as part of the Music Settlement in Hingetown. There it cultivates a training ground for young musicians, brings the world’s most notable artists to northeast Ohio’s and connects our most notable artists to the world. Hell yeah that’s worth celebrating.
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With Labor Day in the rearview mirror, northeast Ohio returns to the comfortable (clambakes, sweaters) and maybe less comfortable (fretting about the Browns) routines of early autumn. Hey, traditions are traditions, and they don’t change much–unless you’re a NEO jazz fan in which case you’ll want to add the Rubber City Jazz & Blues Festival to your list.
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Labor Day is a circle-the-date weekend for jazz in the Midwest with free festivals in Detroit and Chicago. The organizers of the Hingetown Jazz Festival would like to add their event to the list, and judging by the success of the inaugural all-day, all-free festival last year, they just might have a chance.
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Before the comments section, before digital sampling, before AI large language models, there was after. As seen in titles, it signals the venerable practice of a poet responding or replying to, elaborating on, refuting or outright imitating the work of another poet. And it’s the organizing principle behind the music that multi-instrumentalist Aaron Irwin will bring to BOP STOP Sunday.
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