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It’s pretty common these days to find jazz instrumentalists who were classically trained before beginning to improvise. Not Holly Hofmann. The Painesville-born flutist who will appear this weekend with the Cleveland Jazz Orchestra studied with the legendary Walter Mayhall at Youngstown State University and with former Cleveland Orchestra principal flutist Maurice Sharp at the Cleveland Institute of Music. But her first teacher was her father, Nelson.
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You can’t blame bassist Noah Garabedian for hoping that the engagement Friday at Blu Jazz+ with his cooperative trio Ember will be a little less memorable than his last northeast Ohio visit. “Nobody was there,” Garabedian remembered.
It was Nov. 9, 2016, the day after the election.
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Right now, the northeast Ohio creative music scene is like the parent of a toddler walking barefoot in the dark trying to cross the room not knowing where the Legos might be. What will the size of audiences be like? What will they be willing to spend when inflation is eating away at buying power? How will ongoing health concerns play out?
For a multiday event at several venues, the peril increases. Still, if you’re looking for a music event that has bounce-back written all over it, Akron’s Rubber City Jazz and Blues Festival has to be the one.
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If your idea of a library is a place of hushed reverence, by all means stay away from the Downtown Branch of the Cleveland Public Library tomorrow afternoon where silence will be in short supply thanks to pianist Theron Brown and his trio of Jordan McBride on bass and drummer Zaire Darden. Reverence, on the other hand, will be abundant since these three players are among northeast Ohio’s most persuasive advocates of improvised music in the Black American tradition.
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Scott Robinson, who will appear Thursday and Saturday at Blu JAZZ+ in Akron, is the kind of artist who defies easy categorization—or any categorization at all. Still, if you want to get a handle on the man, the opening 105 seconds of his 2017 recording, Tenormore reveal a lot.
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