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Why are these men smiling?
At the poker table a pair of eights is nothing to get excited about, but on the jazz calendar it’s a winning hand. And NEO is holding it this week thanks to a pair of concerts–both tied to upcoming recordings–featuring dynamic octets led by Stephen Philip Harvey and Bobby Selvaggio.
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In the circular economy of jazz, new recordings are supported by album release tours or shows and those performances in turn create a market for the recordings. Just how this works is on display this week as concerts by pianist Ben Tweedt and saxophonist Matthew Alec, two artists with ties to northeast Ohio, celebrate the releases of their latest recordings.
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Jazz goes on and on. It never ends.
Vinnie Sperazza invokes that mantra often in Chronicles, his big-hearted and essential Substack. And it’s true! Just look at the variety of shows by local and touring musicians in the four days beginning Thursday. And while I’m here, I need to give some love to Jim Szabo whose weekly jazz calendar for WRUW is the menu from which I order. To get your own copy, visit the link at the end of this piece.
The menu analogy is no accident. Like food, music is best enjoyed in company. It’s a social activity, after all. And if you haven’t left the nest in a while, spread those wings and fly off to one of the many jazz events in our area this weekend. Below are four you might want to consider.
On and on.
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Have you noticed? After a cold and rainy June, all of a sudden, the garden has exploded with activity. The herbs have shot up. New roses bloom daily, a Jackson Pollock action painting of color.
The rain and the sun and the heat (sooooo much heat!) have done the same for the NEO jazz scene as the next seven days are a greenhouse of compelling shows, any one of which would be worth 600 words.. But I’ll spare you that and instead offer the first harvest (the second drops tomorrow) of a guide to the week’s bouquet of music.
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Dan Weiss is a no-compromises guy. He doesn’t jog occasionally for his health; he trains hard and races. He turned an interest in South Asian music into a decades-long immersion with tabla master Samir Chatterjee. When I suggested to the drummer last week that he struck me as slightly obsessive, his response was unequivocal: “Yeah, yeah, yeah, totally. Totally!”
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