Friendly experiencers,
Remember this week well, NEO-phytes because you’ll likely never see an outdoor show with a bigger crowd as long as you live. Okay, it won’t be a music show, but who would want to fight a crowd of a quarter million people at an arena or a festival, right? And unlike Monday’s solar eclipse, you won’t need special glasses to enjoy the musical events below, though earplugs might be something to consider.
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Like many Black musicians, pianist, bandleader and theologian Julian Davis Reid paid close attention to poet and essayist Amiri Baraka’s 1963 book “Blues People: Negro Music in White America.” Reid was particularly taken with, as he told me, “this idea that Black music is a place where people in this country, Black and otherwise, rest. But at the same time, the music emerges from our sense of homelessness, of not feeling welcomed.”
Baraka was a man of action as well as of ideas, and Reid, a graduate of Yale Divinity School, took his words as a call that Reid answered in words and music with “The American Dream, the American Nightmare, and Black American Music,” which he will present Thursday at 7:30 p.m. in Reinberger Chamber Hall at Severance Music Center. as part of the Cleveland Orchestra’s weeklong Mandel Opera & Humanities Festival: The American Dream.
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