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Drop the needle on Jenny Scheinman ’s latest album, All Species Parade, and a verdant landscape of greens, browns and ocean blues unfolds. This is music that feels alive, vibrating with the hum of a vast, interconnected ecosystem. It’s so evocative of California’s Lost Coast that when she plays this music at The Treelawn Sunday, you might just smell the petrichor and taste the salt air of the Pacific.
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Before the comments section, before digital sampling, before AI large language models, there was after. As seen in titles, it signals the venerable practice of a poet responding or replying to, elaborating on, refuting or outright imitating the work of another poet. And it’s the organizing principle behind the music that multi-instrumentalist Aaron Irwin will bring to BOP STOP Sunday.
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If there were a Mount Rushmore of Cleveland jazz, maybe on the bluff overlooking the West Flats, who would be on it? Albert Ayler and Tadd Dameron for sure, and maybe Eddie Baccus, too. Joe Lovano is still very much with us, but it’s not too soon to reserve a place for him up there, too.
Lovano’s career accomplishments, including his tenure with Bill Frisell in Paul Motian’s enormously influential trio, loom so large that it’s easy to forget that the saxophonist’s first big gig was with the Woody Herman Orchestra.
Trombonist Scott Garlock, the executive director of the Cleveland Jazz Orchestra with whom Lovano will play two concerts this weekend, remembers.
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When I moved to Cleveland in late 2019, I was eager to plunge full-time into a jazz scene that looked like New York’s to me. That notion might be laughable to longtime citizens of The Land, but from the jazz desert of Erie, Pennsylvania, that’s how Cleveland looked to me. Consider this ten-day period in Sept. 2019 when Bop Stop presented a cavalcade of stars that would make even the most hardened New York booker bow in respect and awe.
Even with stars in my eyes I knew that such intervals are few and far between. But every rule needs an exception as proof, and one has arrived this week where in the course of three nights, Cleveland will host concerts by the brilliant tenor saxophonist Ben Wendel, vibes wizard Joel Ross and the mesmerizing poet, community activist and truth-teller Moor Mother.
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Jazz has so many dialectics, you’d think it was invented by Socrates or Hegel. Inside/outside, written/improvised, traditional/avant-garde: all are ways of arriving at the truth about jazz.
As a journalist as well as a player, Cleveland’s Chris Hovan is surely familiar with these admittedly reductive categories and more–like this one: young/old. It’s implied in the name of his Generations Quartet, which will appear Thursday night at Bop Stop at the Music Settlement.
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