“To me, music is home,” said guitarist Lucas Kadish in response to a question I posed by email last week.
It’s a pretty sentiment metaphorically, but Saturday, it becomes a statement of fact when the Hudson native brings his trio to BOP STOP to celebrate the release of his new recording Tundra.
Friendly Experiencers,
Because my interview with this week’s feature artist fell through, I decided to improvise and do something different. Instead of stuffing the Trading Fours roundup of capsule event previews at the end of a 700-word feature article, today they’re the main event. Short and sweet. I’m going to open the comments for this post so you can tell me if you like it or think this should be a one-and-done.
In the language of software developers, a beta project is one that is in development. That’s a pretty good description of the jazz playbook, too, especially as practiced by Lakewood guitarist Dan Bruce. His :beta collective balances a mutable blend of electric and acoustic instruments, composition and improvisation, jazz and prog rock influences. For the latest iteration of his tinkerer’s project in sound, Bruce has added a new wrinkle: the voice of Alyssa Boyd. That makes for an intriguing proposition for us musical beta testers, and as part of the free concert series supported by the Local 4 Music Fund, you can’t beat the price.
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If drummer Anthony Taddeo were a piece of music, he’d be marked Allegro vivace con brio é giocoso. Here’s a bit more Italian to represent the bilingual Taddeo: preso dalla testa ai piedi, an idiom for being in constant motion from head to toe.
This weekend finds the in-demand sideman, dependable session musician and busy bandleader in the familiar setting of Hingetown’s Bop Stop with his Alla Boara project for a two-night engagement that will be recorded for audio and video release.
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If there were a Mount Rushmore of Cleveland jazz, maybe on the bluff overlooking the West Flats, who would be on it? Albert Ayler and Tadd Dameron for sure, and maybe Eddie Baccus, too. Joe Lovano is still very much with us, but it’s not too soon to reserve a place for him up there, too.
Lovano’s career accomplishments, including his tenure with Bill Frisell in Paul Motian’s enormously influential trio, loom so large that it’s easy to forget that the saxophonist’s first big gig was with the Woody Herman Orchestra.
Trombonist Scott Garlock, the executive director of the Cleveland Jazz Orchestra with whom Lovano will play two concerts this weekend, remembers.
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