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Tag: Bop Stop

On ‘Introspectiva,’ Guitarist Ricardo Morales Vivero Looks Inward and Outward

Published 21 August, 2023 By John Chacona
Ricardo Morales Vivero
photocredit: Alyssa Redd

 

Everywhere you listen these days, you’ll find young musicians from South America ripping it up. Bassist Jorge Roeder (Peru), the enchanting guitarist and vocalist Camila Meza (Chile), pianist Leo Genovese (Argentina) and way too many to mention from Brazil are among the most exciting examples. But try to name a jazz musician from Ecuador and you might come up empty.

Meet Ricardo Morales Vivero, a 28-year-old guitarist from Quito who will celebrate the release of his recording debut, Introspectiva (self-released), with a concert at BOP STOP Thursday.

Read moreOn ‘Introspectiva,’ Guitarist Ricardo Morales Vivero Looks Inward and Outward

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Countdown: Your Planning Guide for Music August 17-23

Published 17 August, 2023 By John Chacona

It’s going to be a great weekend for music in NEO, but where to start? Countdown gets you ready with a roundup of some of the most notable music events that you might want to check out. Think of it as your every-Thursday planning guide to a weekend of music and good times.

 

Keigo Hirakawa Trio, Thursday, Aug. 17, 7 p.m., BOP STOP, Cleveland

It would be convenient to describe Keigo Hirakawa as an academic who plays piano as a hobby, but after one listen to Dr. Hirakawa (he’s professor of electrical and computer engineering college at the University of Dayton) charge through postbop changes, it’s apparent that he could have gone pro in jazz. And he has with a new record, Pixel (Origin Records), that dropped in June. To celebrate the release, Hirakawa will rip it up with bassist Eddie Brookshire and drummer Reggie Jackson.

Read moreCountdown: Your Planning Guide for Music August 17-23
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Bring Back The Time: Jamey Haddad Plays The Music Of Keith Jarrett

Published 16 August, 2023 By John Chacona
Keith Jarrett Jamey Haddad
photocredits: Rose Ann Colavito ECM Records/Jackson Clark

Sometime in the mid-70s, percussionist Jamey Haddad was in a studio in Beachwood for a session that concluded a bit early, so he asked engineer Dale Peters (yup, the James Gang’s bassist) to keep the tape rolling while he played drums along with a record that he was particularly taken with. That record was The Köln Concert, the 1975 ECM double album that became bestselling piano album and solo recording in jazz history, and arguably vaulted its creator, Keith Jarrett, to jazz stardom.

Two generations later, Haddad has lost none of his love for Jarrett’s music and this weekend he will play it with a quartet of guitarist Jonah Ferguson, bassist Kip Reed and saxophonist Bobby Selvaggio at four venues in Northeast Ohio and Pittsburgh.

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Always At Home With Music, Lucas Kadish Returns To NEO With A New Band and Recording

Published 2 August, 2023 By John Chacona

Lucas Kadish

“To me, music is home,” said guitarist Lucas Kadish in response to a question I posed by email last week.

It’s a pretty sentiment metaphorically, but Saturday, it becomes a statement of fact when the Hudson native brings his trio to BOP STOP to celebrate the release of his new recording Tundra.

Read moreAlways At Home With Music, Lucas Kadish Returns To NEO With A New Band and Recording
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This Is New: Trading Fours

Published 25 July, 2023 By John Chacona

Friendly Experiencers,

Because my interview with this week’s feature artist fell through, I decided to improvise and do something different. Instead of stuffing the Trading Fours roundup of capsule event previews at the end of a 700-word feature article, today they’re the main event. Short and sweet. I’m going to open the comments for this post so you can tell me if you like it or think this should be a one-and-done. 

Dan Bruce :beta collective with Alyssa Boyd, Cain Park, Tuesday, July 25

In the language of software developers, a beta project is one that is in development. That’s a pretty good description of the jazz playbook, too, especially as practiced by Lakewood guitarist Dan Bruce. His :beta collective balances a mutable blend of electric and acoustic instruments, composition and improvisation, jazz and prog rock influences. For the latest iteration of his tinkerer’s project in sound, Bruce has added a new wrinkle: the voice of Alyssa Boyd. That makes for an intriguing proposition for us musical beta testers, and as part of the free concert series supported by the Local 4 Music Fund, you can’t beat the price.

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