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Tag: Bop Stop

Pull UP! Where To Go & What To Hear In NEO March 27 – Apr. 2

Friendly experiencers,

Let’s just get this out of the way: jazz fans, the coming week is absolutely stacked. It’s so full of notable shows that it took two let’s call this posts to begin to cover it–and a third might not get to the bottom of the good stuff.

If the music calendar for the week were a dart board, you could close your eyes and hit a bullseye every time.

So as March goes out like a lion here’s your bulldog edition of Pull UP! Now have fun filling up that calendar.

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O-verjoyed! Orrin Evans Blows Out 50 Candles at BOP STOP

When you’re Orrin Evans, Grammy-nominated pianist, composer, bandleader, label executive, teacher, husband and dad, there’s only one thing that can slow you down, as I found out when I asked him how much time he had for our phone interview: tires.  “I’m literally sitting here waiting for my tires,” he told me as air wrenches shuddered in the background. “So I got at least 30 to 40 minutes.” It wasn’t enough, such is the man’s skill as a raconteur.

Evans will turn 50 on Friday, and new tires notwithstanding, he’s not coasting into middle age. He’s doing what he loves most: making music, on a tour he calls “50 Shades of O” that motors into BOP STOP Wednesday night.

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Collective Action: A New Player Brings Benny Benack III Back to NEO

Benny Benack III

How many times have you heard this—or said it yourself—when leaving a great concert by a touring musician: Why can’t we get more shows like this here?

Kyle Knoke, a graphic designer and concert promoter found himself asking that question and decided to answer it by creating the Midwest Jazz Collective, a consortium of 13 clubs and presenting organizations that will bring  Emmy-nominated trumpeter and vocalist Benny Benack III  to BOP STOP March 25 and BLU Jazz+ the following night.

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Troy Roberts, A Saxophone Wizard From Oz, Lands at BOP STOP

Troy Roberts

I get a lot of records from publicists looking for a review, 788 last year. That’s way more than I can get to, but I try to check in on most of them. Last year I noticed that a lot of them had Troy Roberts on tenor saxophone, and even on records I didn’t care for–maybe especially those–I was drawn to his muscular sound. I missed his appearance last year with Pat Bianchi (a gig I previewed here), but I–and Cleveland—will get a second bite of the apple Sunday, Feb. 16 when the saxophonist returns to BOP STOP.

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