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Turning 40 doesn’t have the big-deal, inflection-point significance of milestone birthdays like 21 or 65, but don’t try that argument on Bryan Kennard. The composer, flutist and organizer has plenty of highlights to mark as he heads into his fifth decade this week with a new big band and a celebratory concert at BOP STOP Sunday.
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Labor Day is a circle-the-date weekend for jazz in the Midwest with free festivals in Detroit and Chicago. The organizers of the Hingetown Jazz Festival would like to add their event to the list, and judging by the success of the inaugural all-day, all-free festival last year, they just might have a chance.
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Friendly experiencers,
It’s Thursday and the Countdown is back on its normal schedule. Order has been restored. The concert lineup was thinned a bit by the cancellation of the Christian Sands gig at The Treelawn, but just look at the variety of offerings below: a big band session with vocalist, hard-blowing sextet and a free improv legend. Who says the NEO scene is one-dimensional?
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One of the great pleasures of this project is the opportunity to do a weekly temperature check of the NEO scene., with a focus on live performance where it surely belongs. No performances, no scene, right?
But NEO artists have lately been as active in the studios as they are on the area’s stages and bandstands. That’s a good thing, too. Some projects have been covered here, including Work and Song, the exultant live recording by Alla Boara made at BOP STOP last July, Lucas Kadish’s Tundra, which was a big part of this entry from 2023, and the forthcoming recording laid down two weeks ago by the Third Law Collective wsg Russ Johnson, a project I profiled here. A few more will get the in-depth treatment in future posts here and at All About Jazz.
Still it’s been a while since let’s call this has called the roll on recordings, and given the spring shower of recent releases, now’s the time.
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I look at let’s call this as a sort of chamber of commerce for the local scene. It’s important work, especially given the general indifference of the local media to improvised music in the Black American tradition and it’s great fun for me to do, a gateway for this NEO neophyte into the thriving local scene. But two posts a week takes a lot of time to crank out and with holiday travel, my anniversary and listening to catch up with before the yearend polls are due, the next couple of weeks will concentrate on these Countdown previews of upcoming events. Fortunately, there’s a lot to talk about, including more new releases, the first big event at a significant new venue and more. Buckle up. It’s going to be an interesting ride.
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