When saxophonist Chris Speed began his slow-motion move from New York to Los Angeles in the middle of the last decade, he arrived just as Kamasi Washington and the Brainfeeder crowd were making LA the hot new jazz scene.
But Speed, who will appear Sunday at BOP STOP leading a trio of bassist Chris Tordini and drummer Dave King, was no bandwagon jumper. “I don’t really know the scene,” he averred. “I’m just kind of focused on what I’m doing, and when I’m in LA I’m just more of a homebody.”
Because my interview with this week’s feature artist fell through, I decided to improvise and do something different. Instead of stuffing the Trading Fours roundup of capsule event previews at the end of a 700-word feature article, today they’re the main event. Short and sweet. I’m going to open the comments for this post so you can tell me if you like it or think this should be a one-and-done.
Dan Bruce :beta collective with Alyssa Boyd, Cain Park, Tuesday, July 25
In the language of software developers, a beta project is one that is in development. That’s a pretty good description of the jazz playbook, too, especially as practiced by Lakewood guitarist Dan Bruce. His :beta collective balances a mutable blend of electric and acoustic instruments, composition and improvisation, jazz and prog rock influences. For the latest iteration of his tinkerer’s project in sound, Bruce has added a new wrinkle: the voice of Alyssa Boyd. That makes for an intriguing proposition for us musical beta testers, and as part of the free concert series supported by the Local 4 Music Fund, you can’t beat the price.
Keith LaMar has said that listening to John Coltrane’s “A Love Supreme” helped save his life. Yet for all its power and magnificence, Coltrane’s music cannot literally save LaMar’s life, which is scheduled to end Nov. 16 when he is to be executed for murders he says he did not commit.
Even if music can’t bring justice for LaMar, it can help keep his case in the public eye and perhaps forestall his execution. That is the purpose behind two concerts this week by a project called Freedom First that has attracted some of New York’s finest musicians.
Granada is a Caribbean nation 100 miles off the coast of Venezuela with a population about that of Dayton’s. If Americans have heard of Grenada at all it’s probably in connection with Ronald Reagan’s Cold War saber-rattling invasion of the island in 1983.
That might change Sunday when Cleveland saxophonist Ronell Regis presents a world premiere performance of “Grenada to the World: The Suite” at Cleveland’s Bop Stop.
Three Shamans (clockwise from top left): Herb Robertson, Phil Haynes, Ken Filiano (photo by R.I. Sutherland-Cohen)
This week I’m taking a Thanksgiving break of sorts. Instead of my stated project of documenting the northeast Ohio scene I’ll cover something notable that’s happening in my old hometown of Erie, Pennsylvania: a concert Saturday evening headlined by New York improvising trio Three Shamans at Erie’s Grounded Printshop on a bill that also includes New American musicians from Syria and an experimental trombone and percussion duo.
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