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Tag: Brother Jack McDuff

At BOP STOP: Grease and Grace Combine In Pat Bianchi’s Organ Trio

Pat Bianchi
photocredit: Aidan Grant

It was a simple question that I asked Pat Bianchi: Which is your dominant hand? His answer was more complex than I expected.

“I’m kind of both,” he said. “I write with my left hand. I can write with my right hand, too, so it kind of flips back and forth.”

Ambidexterity is a useful trait for a keyboard player to possess, and because Bianchi’s primary instrument is the Hammond B-3 organ, his feet are also involved.

The lack of a dominant hand is an interesting footnote for sure but it’s also a metaphor for the absence of a dominant aesthetic in Bianchi’s musical choices, something that makes his Friday appearance at BOP STOP an unusually compelling event.

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Countdown: Where To Go & What To Hear In NEO April 11-17

The Jazz-Bins, (from left) Joe Dyson, Marc Ribot, Greg Lewis

Friendly experiencers,

Monday’s Great Celestial Gig In The Sky is going to be hard to top. On the other hand, NEO jazz fans don’t have to wait 200 years for next big show to arrive, April is Jazz Appreciation Month, and there’s much to appreciate in the area’s clubs, concert halls and other venues. Here are four such shows, all filled with blindingly original and exciting players. File your taxes, mow the lawn and reward yourself with the best music Northeast Ohio has to offer.

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Looking Backward and Forward At Once, Saxophonist Jim Snidero Returns to Bop Stop

Jim Snidero
photo by John Rogers

Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.

Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.

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