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Tag: Bryan Kennard

Countdown: Where To Go & What To Hear In NEO April 11-17

The Jazz-Bins, (from left) Joe Dyson, Marc Ribot, Greg Lewis

Friendly experiencers,

Monday’s Great Celestial Gig In The Sky is going to be hard to top. On the other hand, NEO jazz fans don’t have to wait 200 years for next big show to arrive, April is Jazz Appreciation Month, and there’s much to appreciate in the area’s clubs, concert halls and other venues. Here are four such shows, all filled with blindingly original and exciting players. File your taxes, mow the lawn and reward yourself with the best music Northeast Ohio has to offer.

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Countdown: Your Guide To Jazz in NEO, Sept. 27-Oct. 4

Collective action is on the calendar for the next week beginning with the monthly concert by the NEO composers mob Third Law Collective, a fusion-y three-way courtesy of guitarist Oz Noy with bassist Jimmy Haslip and force-of-nature drummer Dennis Chambers and concluding next Tuesday with a New Ghosts-sponsored performance (and that’s precisely what it will be), by DIOR STAPLER, a group that bears an uncanny resemblance to Eurojazz agents provocateurs Die Hochstapler. New Wednesday’s Cleveland Museum of Art concert by Love In Exile (Arooj Aftab, Vijay Iyer and Shahzad Ismaily) will get a full preview on Monday. Are you ready?

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Solo Or In Ensemble, Brandon Lopez’s Bass Is An Uncommon Sound

Brandon Lopez-TAK Ensemble
Brandon Lopez and TAK Ensemble

Despite the increasing numbers of creative improvising musicians who play it, the double bass in a solo context—on record or in performance–remains a comparatively uncommon sound.

Yet Brandon Lopez, with a new recording and a showcase at this weekend’s Re:Sound festival presented by the Cleveland Uncommon Sound Project, is the exception that proves the rule.

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New Composers Collective Lays Down the Law at Bop Stop

Third Law CollectiveWhat’s the second-most exciting day in a composer’s life? The day of the first performance of a new piece, of course. So, what’s the most exciting day? The day of the second performance. World premieres are exciting, but many compositions are heard once and then disappear. A second performance confers a bit of staying power.

This is especially true in the concert music world, but composers of creative music in the Black American tradition face many of the same challenges in bringing their work to the stage. Enter The Third Law Collective, a gathering of local composer/players whose project to present and support new composition in northeast Ohio gets underway Jan. 26 at Bop Stop.

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