Even at 83, saxophonist and composer Howie Smith remains an endless fount of surprises. You might even call his concert Friday night at BOP STOP a veritable Russian doll of surprises.
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Summer’s sudden arrival in northeast Ohio has everybody emerging from their deep-winter isolation and hitting the streets. Cabin fever is breaking for national and touring jazz artists, too, and they are hitting area stages en masse this week.
With so many worthwhile shows in the next seven days, I’ll offer a kind of consumer’s guide to where to go and who to hear. There’s a wide range of music on offer this week; you really can’t go wrong with any of these shows.
Countdown . . .
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At the summit meeting of Cleveland saxophonists convened this past summer at the Tri-C JazzFest, Ernie Krivda, Ken LeeGrand and Howie Smith were to take center stage in a round robin. But host Dominick Farinacci announced that LeeGrand would play his featured material first. “He has to get to a gig in Fairlawn at 3,” Farinacci explained. It was shortly after 2 p.m.
I was there and reviewed the concert for All About Jazz (you can read it here), so when I spoke with LeeGrand earlier this month, I had to ask him if he made it. “Yes I did. I got there–it was probably, like, 3:07, and the guys that I had assembled to do that [gig] knew what was going on, so they had already started. I didn’t even take the reeds off the horns. I left my reeds on. So when I got there, all I had to do was put the necks on the saxophones and put my stand together and roll.”
When it comes to music, “roll” is what Ken LeeGrand does—as an educator, instrumentalist, bandleader, griot and inspiration. Now 73, LeeGrand has been on the scene for so long, he essentially is the scene. So it makes perfect sense that during this weekend of homecomings and family reunions, his most enduring band, Horns And Things, will be featured at Ohio City’s Irishtown Bend Taproom.
Though hip-hop artists have made it a genre unto itself, the mixtape, a homemade cassette of songs, was the Spotify playlist of the 1980s and ‘90s. Mixtapes were playable, tradable declarations of musical allegiances and taste, a medium of exchange and sometimes winsome mash notes to crushes, delivering their message at 1 7/8 ips.
True, it’s hard to imagine jazz nerds assembling cassettes of favorite Maynard Ferguson cuts to give to romantic objects (harder still to imagine they had such objects). Still guitarist Dan Bruce liked the concept so much that he’s making a mixtape live and on stage by arranging songs performed by Liz Bullock, Ray Flanagan, Jinari Kemet and Gretchen Pleuss with an a-list jazz ensemble.