When this writer worked in the hospitality industry, we had a name for Halloween: Amateur Night. Normally this would serve as a warning to pursue domestic entertainments until it’s safe to go out again. But what if “going out” is more treat than trick? This week’s candy necklace of events will test that notion with a variety of fun-size gigs and not a kernel of candy corn among them (though the late Carla Bley’s “King Korn” would be great addition to a spooky setlist).
Tag: Carla Bley
I get a lot of music for my consideration, already more than 220 new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.
The title cut from Yuval Amihai‘s My 90s Summer (Fresh Sound Records) begins with the leader’s warm-toned guitar over dewdrop Rhodes and a head-nodding backbeat rhythm. Where have I heard this before?
I get a lot of music for my consideration, more than 460 new releases in 2020. Almost all of them are notable for something, and I’d like to give them their due. So, every week, more or less, I’ll offer hot takes on the releases of the preceding seven days.
It’s been a minute since I’ve called the roll. Nothing bad, just the usual procrastination and some fairly large-scale work for PostGenre Media and All About Jazz whose scribbling staffs I’ve been fortunate to join. In the midst of that work, holiday madness, some pressing matters of health and the near collapse of the Republic all dampened my enthusiasm for music and for writing. Now I’m back and there’s a lot of catching up to do. Moving backwards from the present . . . .
Vibraphonist Dan McCarthy recorded this 56-minute trio session in Brooklyn February 28, 2019. The following day, he packed his things and returned to Toronto. I guess that makes “A Place Where We Once Lived” (self-released, digital only) a breakup record of sorts, but