Todd Marcus is the sort of guy who likes to walk an unconventional path. That path will bring him to BOP STOP on Wednesday with a unique quintet that features clarinetist Virginia MacDonald and Marcus’ bass clarinet on the frontline.
Comments closedTag: Carmen Castaldi
After the cultural extinction event of 2020, some lifeforms re-emerged sooner than others. You would expect the ones with the most funding to be among the first to return, though perhaps not at their previous strength. And you might imagine that the more DIY scenes, the ones for which precarity is an ongoing fact, would also survive.
The 1Way at the Go Factory series of free improvisation shows curated by saxophonist Dan Wenninger, is one of the survivors, though it’s more like a cicada than a hardy cockroach. It hasn’t been dormant for seven years; there were a few scattered comebacks last fall. When the series resumes March 28 at the Go Factory loft, with Togishi and the Folger/Bruce/Martinez Trio, it will mark what Wenninger hopes will be a second beginning, a 1Way 2.0.
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Tribute concerts, for better or worse, are an established marketing hook for jazz presenters and an evergreen source of inspiration for musicians. The honors tend to cluster around past masters, and the bigger the name the batter. Living musicians who can actually appreciate the tribute aren’t often feted and even less often asked to play, but a tribute concert where the honoree is a sideman? Never happens.
Yet when bassist Aidan Plank’s octet takes the Bop Stop stage Thursday to present a program of music by Carmen Castaldi, the man of the hour will be seated where he can usually be found: behind the trap set.
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