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Tag: Chicago jazz

Countdown: Your Planning Guide for Music Sept. 7-13

Natalie_Cressman_Ian_Faquini

Remember last week’s Countdown? That’s right. There wasn’t one. A combination of the psychological fallout from disposing of half of my flooded record collection and late-August programming doldrums swamped me. But what a difference a week makes! And Countdown gets you ready with a roundup of some of the most snackable music events on this week’s banquet menu. Think of it as your every-Thursday planning guide to a weekend of music and good times.

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A Free Outdoor Jazz Festival Swings The Doors Open In Hingetown

With its high blue skies, comfortable temperatures, clambakes and promises of a Super Bowl season for the Browns, it’s hard to imagine how September in Northeast Ohio could possibly be better—though a free outdoor jazz festival might be a nice start.

Wish granted. Make way for the inaugural Hingetown Jazz Festival Saturday, Sept. 2.

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Tim Daisy Returns To Cleveland for the World Premiere of New Ensemble Vox 4

Vox 4

There are many reasons to pursue the life of a professional musician, but doing a van tour of the Great Lakes in January is not one of them. Yet Chicago percussionist Tim Daisy could barely conceal his delight at piling in the van and driving across I-90 for a concert with his longtime pal Ken Vandermark at Convivium 33 (I previewed it here).

“t was the first time I started driving around the country since the—quote/unquote–end of the pandemic,” Daisy said by phone from Virginia where he was vacationing. “We show up, there’s a nice audience, the music goes well, there’s a beautiful vibe, and I kind of had the sense of like, “Ha! We’re back to touring. We’re back.”

The experience was so positive that on Friday, Daisy will be back at Convivium 33 for another concert presented by the Cleveland Uncommon Sound Project, this time with his exploratory chamber ensemble Vox 4.

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Javier Red’s Imagery Converter Illustrates Life Under The Umbrella

photocredit: Eugenio Resendiz

Pianist Javier Red was in his mid-40s and had been a working musician for years, both in his native Mexico and in the United States, when he arrived at a musical crossroads.

It happened at a workshop in 2015 with saxophonist and composer Steve Coleman at the University of Chicago. “I told Steve that I’ve got two options. I can deny everything that I saw there and keep my music flowing in a comfortable way, or I can accept that what Steve was saying is a completely new and different conception of music,” he remembered. “I said, ‘Man, what I’m losing? Nothing!’ And I decided to go that way.”

He’s still going that way on a musical and life journey that will bring Red and his Chicago quartet Imagery Converter to BOP STOP Thursday for a New Ghosts concert that will have meaning well beyond music.

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